- Byname of:
- String Quartet No. 19 in C Major, K 465
Dissonance Quartet
Dissonance Quartet, string quartet (a type of chamber music for two violins, viola, and cello) in four movements by Wolfgang Amadeus Mozart. It was completed on January 14, 1785, and it was noted especially for its divergenceâespecially in the slow introductionâfrom the then-standard rules of harmony.
The Dissonance Quartet is the last of a set of six string quartetsâthe others are K 387, 421, 428, 458, and 464âthat were dedicated to the Austrian composer Joseph Haydn and inspired by Haydnâs Op. 33, itself a set of six string quartets. Taken together, Mozartâs six are known as the Haydn Quartets (written 1782â85).
Although legends persist regarding Mozartâs rivalries with other composers, he established a friendship with Haydn that was untainted by envy and characterized by mutual admiration. Haydn asserted to Mozartâs father,
I tell you, before God and as an honest man, that your son is the greatest composer known to me, either in person or by name. He has taste, and, what is more, a most thorough knowledge of composition.
Mozart, for his part, spoke equally highly of Haydn in his dedication:
Your good opinion encourages me to offer the[se string quartets] to you, and leads me to hope that you will not consider them wholly unworthy of your favour. Please, then, receive them kindly and be to them a father, guide, and friend!
The movements of Mozartâs quartet are âAdagio, allegro,â âAndante cantabile,â âMenuetto, allegretto,â and âAllegro molto.â The first movement, which is the source of the pieceâs nickname, is in sonata form, and it opens with a sombre âdissonantâ passage that suddenly gives way to an animated ascending four-note figure that forms the main theme. The lyrical second movementâthe nature of which is indicated by the term cantabile (Italian: âsingingâ)âis also in sonata form. In the third movement, a minuet and trio, a chromatic theme is introduced by the first violin and then taken up by the other players. The fourth movement, which returns to sonata form, is lively and spirited.

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