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Discourse/Figure

work by Lyotard

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In his work Discourse/Figure (1971), Jean-François Lyotard, a key figure in postmodernism, explored the distinction between linguistic meaning and the meaning found in visual arts like painting and sculpture. He argued that the symbolic and pictorial richness of art often transcends the grasp of rational, discursive thought. Lyotard posited that desire, a concept explored further in Libidinal Economy (1974), exists in a state of tension with the generalizing nature of rational thought, always escaping its complete comprehension.1

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