âŠin Vogelvrij (1927; âOutlawedâ) and Diergaarde voor kinderen van nu (1932; âZoo for Todayâs Childrenâ), consists mainly of grotesque sketches that demonstrate his keen imagination. Its lucidity, stubborn analysis of a theme, and underlying restlessness sometimes recall the prose of the Austrian writer Franz Kafka. Not surprisingly, van Ostaijen hadâŠ
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