Dāstān-e Amīr Ḥamzeh

…of the illustrations of the Dāstān-e (“Stories of”) Amīr Ḥamzeh, a series that numbered about 1,400 paintings, all of unusually large size. As none of the paintings is signed, it is not certain whether he himself did any of them. Among the miniatures bearing his signature is one in the…

…the stupendous illustrations of the Dāstān-e Amīr Ḥamzeh (“Stories of Amīr Ḥamzeh”; Österreichisches Museum für Angewandte Kunst, Vienna), which originally consisted of 1,400 paintings of an unusually large size (approximately 25 inches by 16 inches [65 by 40 centimetres]), of which only about 200 have survived. The Ṭūṭī-nāmeh shows the…

Thus, the Dāstān-e Amīr Ḥamzeh, a story of Muhammad’s uncle Ḥamzah ibn ʿAbd al-Muṭṭalib, was slowly enlarged by the addition of more and more fantastic details. This form of dāstān, as such literature is called, to some extent influenced the first attempts at novel writing in Muslim…

…of large miniatures of the Dastan-i Amir Hamza (a Persian translation of the Arabic work Hamzanama). He appointed Abdus-Samad and Mir Sayyid Ali to lead a team of about 100 painters in this undertaking, which took 15 years to complete. The result was a collection of some 1,400 large illustrations…

…1567, when the celebrated manuscript Dāstān-e Amīr Ḥamzeh (“Stories of Amīr Ḥamzeh”) was painted (some 200 miniatures remain and are found in most major collections of Indian miniatures, especially at the Freer Gallery of Art, Washington, D.C.). Traditional Iranian themes—battles, receptions, feasts—acquired monumentality, not only because of the inordinate size…