Encyclopedia Britannica
Encyclopedia Britannica
SUBSCRIBE
SUBSCRIBE
SUBSCRIBE TO PREMIUM
  • Home
  • Biographies
  • Animals & Nature
  • History & Society
  • Science & Tech
  • Geography & Travel
  • Arts & Culture
  • ProCon
  • Money
  • Games & Quizzes
  • Videos
  • Today in History
  • Dictionary
  • New Articles
Biographies
  • Browse Biographies
Animals & Nature
  • Birds, Reptiles & Other Vertebrates
  • Environment
  • Fossils & Geologic Time
  • Insects & Other Invertebrates
  • Mammals
  • Plants
History & Society
  • History
  • Philosophy & Religion
  • Politics, Law & Government
  • Society & Social Issues
Science & Tech
  • Health & Medicine
  • Science
  • Technology
Geography & Travel
  • Geography & Travel
Arts & Culture
  • Entertainment & Pop Culture
  • Literature
  • Sports & Recreation
  • Visual Arts
  • Image Galleries
  • Podcasts
  • Summaries
  • Top Questions
  • Lists and Stories
  • Britannica Kids
Ask the Chatbot Games & Quizzes History & Society Science & Tech Biographies Animals & Nature Geography & Travel Arts & Culture ProCon Money Videos
Contempt
References
Britannica AI Icon

Contempt

film by Godard [1963]
Also known as: “Le Mépris”
Written by
The Information Architects of Encyclopaedia Britannica

The Information Architects maintain a master list of the topics included in the corpus of  Encyclopædia Britannica, and create and manage the relationships between them.

The Information Architects of Encyclopaedia Britannica

Learn about this topic in these articles:

  • Jean-Luc Godard
    Jean-Luc Godard
    / Breathless and filmmaking style and themes

    …1963 film Le Mépris (Contempt), based on a story by the Italian novelist Alberto Moravia, marked his only venture into orthodox and comparatively expensive filmmaking. Afterward he maintained an almost unique position as an absolute, independent creator, using extraordinarily cheap alfresco production methods and enjoying repeated success on the…

    Read More

    …1963 film Le Mépris (Contempt), based on a story by the Italian novelist Alberto Moravia, marked his only venture into orthodox and comparatively expensive filmmaking. Afterward he maintained an almost unique position as an absolute, independent creator, using extraordinarily cheap alfresco production methods and enjoying repeated success on the…

    Read More