Chess Records

…Chess signed him for their Chess label, and in 1955 his first recording session produced “Maybellene” (a country-and-western-influenced song that Berry had originally titled “Ida Red”), which stayed on the pop charts for 11 weeks, cresting at number five. Berry followed this success with extensive tours and hit after hit,…

…Phil as partner, renamed it Chess. As fans of the electric blues, a style being heard in Chicago after World War II, they signed such artists as Muddy Waters, Willie Dixon, Chuck Berry, Howlin’ Wolf, Etta James, Koko Taylor, and Bo Diddley and played a major role in introducing black…

…the legendary blues record company Chess as Bo Diddley (a name most likely derived from the diddley bow, a one-stringed African guitar popular in the Mississippi Delta region). Diddley scored few hit records but was one of rock’s most influential artists nonetheless, because he had something nobody else could claim,…

…recorded several hits for the Chess label, including “Leave My Girl Alone” and “Stone Crazy.” He also worked as a sideman for such artists as Howlin’ Wolf, Little Walter, and Koko Taylor.

After signing (1960) with Chess Records, James became its first major female star, with such songs as “All I Could Do Was Cry,” “Trust in Me,” “At Last,” and “Something’s Got a Hold on Me.” In 1967 she hit the charts again with the searing soul song “Tell Mama.”…

…came to the attention of Chess Records producer Willie Dixon, who promptly signed her to that label.

By 1948 Aristocrat had become Chess Records (taking its name from Leonard and Phil Chess, the Polish immigrant brothers who owned and operated it), and Waters was recording a string of hits for it that began with “I Feel Like Going Home” and “I Can’t Be Satisfied.” His early, aggressive,…