…such frescolike canvases as his Calvary (c. 1538–40). About 1540, he was greatly influenced by the elegance of the Florentine and Roman Mannerists. He especially admired the graceful attenuation of Parmigianino’s figures, as can be seen in his “Adoration of the Shepherds.” But the robust modeling, vibrant colour, and thick…
Read More
