âŠlasting importance is his eight-volume Biographie universelle des musiciens . . . (1835â44; âUniversal Biography of Musiciansâ), which, although marred by numerous inaccuracies, remains an invaluable research tool. He also wrote extensively on musical instruments and music history and theory. Despite his sometimes fanciful or unsupported facts and opinions, FĂ©tisââŠ
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