Encyclopedia Britannica
Encyclopedia Britannica
SUBSCRIBE
SUBSCRIBE
SUBSCRIBE TO PREMIUM
  • Home
  • Biographies
  • Animals & Nature
  • History & Society
  • Science & Tech
  • Geography & Travel
  • Arts & Culture
  • ProCon
  • Money
  • Games & Quizzes
  • Videos
  • Today in History
  • Dictionary
  • New Articles
Biographies
  • Browse Biographies
Animals & Nature
  • Birds, Reptiles & Other Vertebrates
  • Environment
  • Fossils & Geologic Time
  • Insects & Other Invertebrates
  • Mammals
  • Plants
History & Society
  • History
  • Philosophy & Religion
  • Politics, Law & Government
  • Society & Social Issues
Science & Tech
  • Health & Medicine
  • Science
  • Technology
Geography & Travel
  • Geography & Travel
Arts & Culture
  • Entertainment & Pop Culture
  • Literature
  • Sports & Recreation
  • Visual Arts
  • Image Galleries
  • Podcasts
  • Summaries
  • Top Questions
  • Lists and Stories
  • Britannica Kids
Ask the Chatbot Games & Quizzes History & Society Science & Tech Biographies Animals & Nature Geography & Travel Arts & Culture ProCon Money Videos
Be in Love and You Will Be Happy
References
Britannica AI Icon

Be in Love and You Will Be Happy

Carving by Paul Gauguin
Written by
The Information Architects of Encyclopaedia Britannica

The Information Architects maintain a master list of the topics included in the corpus of  Encyclopædia Britannica, and create and manage the relationships between them.

The Information Architects of Encyclopaedia Britannica

Learn about this topic in these articles:

  • Paul Gauguin
    Paul Gauguin
    / Early maturity

    …carved and painted wood relief Be in Love and You Will Be Happy (1889), in which a figure in the upper left, crouching to hide her body, was meant to represent Paris as, in his words, a “rotten Babylon.” As such works suggest, Gauguin began to long for a more…

    Read More

    …carved and painted wood relief Be in Love and You Will Be Happy (1889), in which a figure in the upper left, crouching to hide her body, was meant to represent Paris as, in his words, a “rotten Babylon.” As such works suggest, Gauguin began to long for a more…

    Read More