Britannica AI Icon
Adding us as a Preferred Source tells Google you trust our content, so our articles show up more often in your Google Search, Discover feed, and AI Overviews.
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

Bayeux Tapestry

medieval embroidery

News •

Bayeux Tapestry, band of embroidered linen from the Middle Ages depicting more than 70 scenes with Latin inscriptions (tituli) of the Norman Conquest of England in 1066. The tapestry is remarkable as a work of art and important as a source for 11th-century history.

Description

The Bayeux Tapestry, despite its name, is not really a tapestry. A tapestry is a woven decorative fabric, the design of which is built up in the course of weaving. The design of the Bayeux Tapestry is instead embroidered onto an already woven fabric using worsted wool thread of 10 colors. It measures 224 feet (68.3 meters) long and approximately 20 inches (50 centimeters) wide.

The narrative

The middle band of the tapestry depicts the pivotal Battle of Hastings and the events that led up to the conflict. The narrative begins in 1064, when Edward the Confessor, king of England, bids his brother-in-law Harold Godwinson to sail to Normandy. There Harold confirms Edward’s recognition of his cousin William, duke of Normandy, as the heir to the English throne. After Edward’s death in January 1066, however, Harold is crowned king, and William challenges him for the title.

The tapestry ends with the flight of Harold’s English forces from Hastings in October 1066. Originally, the story may have continued further, possibly to William’s coronation on Christmas Day in 1066, but the end of the strip has perished. Along the top and the bottom of the linen are decorative borders with figures and animals, representing episodes from the fables of Aesop and Phaedrus; scenes from husbandry and hunting; and, occasionally, scenes related to the main pictorial narrative.

History of the tapestry

The first reference of the Bayeux Tapestry is from 1476, when it was listed in the inventory of the cathedral in Bayeux, in northern France, where it was used once a year to decorate the nave. It was “discovered” there by the French antiquarian and scholar Bernard de Montfaucon, who published the earliest complete reproduction of it in 1730. Having twice narrowly escaped destruction during the French Revolution, the tapestry was exhibited in Paris at Napoleon’s wish in 1803–04 and thereafter was in civil custody at Bayeux, except in 1871 and from September 1939 to March 1945. During the Franco-German War and World War II, respectively, the piece was placed in secured storage to protect it from plunder or destruction. In 2026 the artwork went on a very rare loan to the British Museum in London while the Bayeux Museum, where the tapestry has been displayed since 1983, was closed for renovations. The sojourn marked the first time the tapestry left France in nearly a millennium.

Making the tapestry

Although the tapestry was once thought to have been the work of Matilda, wife of William the Conqueror, and her ladies-in-waiting, there is nothing aside from her marriage to connect the work with her. The tapestry may have been commissioned by William’s half brother Odo, bishop of Bayeux; Odo is prominent in the later scenes, and three of the very few named figures on the tapestry are known to have been associated with him. This conjecture would date the work no later than about 1092, an approximate time now generally accepted.

The skillful needlework of the tapestry has affinities with other English pieces of the 11th century, and scholars believe that the creators may have been nuns from Barking Abbey in Canterbury. They likely stretched the fabric on a large wooden frame and embroidered by hand outlines and lettering using the stem stitch and couching for filling in the figures.

Explore Britannica Premium!

The trusted destination for professionals, college students, and lifelong learners.

SUBSCRIBE
Penguin, ship, mountain, atlas
shohei ohtani, plants, andy wharhol art
Mobile

Legacy

The tapestry is of great interest as a work of art. It is also important evidence for the history of the Norman Conquest, especially for Harold’s relation to William before 1066; its story of events seems straightforward and convincing, despite some obscurities. The decorative borders have value for the study of fables from the Middle Ages. The tapestry’s contribution to knowledge of everyday life about 1100 is considerable, as is its information on contemporary military equipment and tactics.

The Editors of Encyclopaedia BritannicaThis article was most recently revised and updated by Alicja Zelazko.