âŠare the relief of the Bath of the Nymphs (1668â70), perhaps inspired by Jean Goujonâs Fontaine des Innocents, and The Rape of Persephone (1677â79; pedestal completed 1699), in which he challenges comparison with Giambolognaâs Rape of the Sabines. The effect of this group is marred by its present situation inâŠ
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