Al-Muʿallaqāt
-
What are the Al-Muʿallaqāt?
The Al-Mu'allaqat are a collection of seven pre-Islamic Arabic odes, each considered the finest work of its respective author. These poems are highly regarded in Arabic literature, representing the pinnacle of early Arabic poetry and offering a vivid portrayal of Bedouin life, customs, and thought.
The name "Al-Mu'allaqat" is often translated as "The Suspended Ones," stemming from a legend that these poems were written in golden letters and hung on the walls of the Kaaba in Mecca due to their exceptional eloquence and beauty. While the exact origin of the name is debated, it is understood to signify the esteemed value of these poems.
The standard selection of poems, as recorded by Ibn 'Abd Rabbih, includes works by Imru' al-Qays, Tarafah ibn al-'Abd, Zuhayr ibn Abī Sulmā, Labīd, 'Antarah, 'Amr ibn Kulthūm, and al-Ḥārith ibn Ḥilliza. These poems are celebrated for their precise imagery, detailed observations of nature, and deep emotional connection to the Arabian Desert, making them masterpieces of world literature.
7 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
Why are the Al-Muʿallaqāt important in Arabic literature?
The Al-Mu'allaqat are a collection of seven pre-Islamic Arabic odes, each considered its author's finest work. These poems hold a unique position in Arabic literature as they represent the pinnacle of early Arabic poetry. The collection offers a vivid portrayal of Bedouin life, customs, and ways of thinking, making them invaluable for understanding the period. Their vivid imagery, precise observations, and deep connection to nature in the Arabian Desert contribute to their status as masterpieces of world literature.
7 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
Who were the poets that wrote the Al-Muʿallaqāt?
The Al-Mu'allaqat is a collection of seven pre-Islamic Arabic odes, each considered its author's finest work. The poets traditionally associated with these odes are Imru' al-Qays, Tarafa ibn al-Abd, Zuhayr ibn Abi Sulma, Labid, Antarah, Amr ibn Kulthum, and al-Harith ibn Hilliza. These poets were prominent figures in 6th-century Arabia, and their works offer a rich depiction of Bedouin life, customs, and thought. While the exact compilation of the Al-Mu'allaqat is often attributed to Hammad al-Rawiyah, a 8th-century collector of early poetry, the name itself likely signifies poems of great value rather than literal suspension.
4 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
What themes are common in the Al-Muʿallaqāt poems?
The Al-Mu'allaqat poems offer a vivid portrayal of Bedouin life, customs, and thought processes from 6th-century Arabia. These seven odes, considered the finest examples of early Arabic poetry, explore themes such as the poet's former love, desert landscapes, warfare, and tribal pride. The poems also embody a complex system of ethical values passed down through generations, emphasizing virtues like hospitality, bravery, and loyalty to the tribe. While often descriptive, the main theme of panegyric—praise of oneself, one's tribe, or a patron—is frequently woven into these vivid passages.
4 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
How do the Al-Muʿallaqāt help us understand pre-Islamic Arab society?
The Al-Mu'allaqat, a collection of seven pre-Islamic Arabic odes, offers significant insights into pre-Islamic Arab society. These poems, considered the finest examples of early Arabic poetry, vividly depict the life, manners, and thought processes of the Bedouin people. They showcase the importance of tribal honor, bravery, and hospitality, reflecting the harsh realities of desert life and the fatalistic outlook often necessary for survival. The rich vocabulary and precise descriptions of natural phenomena highlight the Arabs' deep connection with their environment, particularly the Arabian Desert. These poems also reveal a complex system of ethical values passed down through generations, providing a window into the moral landscape of the time.
6 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles.
Al-Muʿallaqāt, collection of seven pre-Islamic Arabic qaṣīdahs (odes), each considered to be its author’s best piece. Since the authors themselves are among the dozen or so most famous poets of the 6th century, the selection enjoys a unique position in Arabic literature, representing the finest of early Arabic poetry.
Taken together, the poems of Al-Muʿallaqāt provide an excellent picture of Bedouin life, manners, and modes of thought. The idea of grouping together these particular poems is most commonly attributed to Ḥammād al-Rāwiyah, who was an 8th-century collector of early poetry. An often-repeated legend that originated in the 10th century states that the poems were written down in golden letters on scrolls of linen that were then hung, or “suspended” (muʿallaq), on the walls of the Kaaba (Kaʿbah) in Mecca. It is by no means clear, however, that Ḥammād himself ever used the name Al-Muʿallaqāt in referring to his compilation. Instead, he appears to have referred to it as the “seven renowned ones” (al-sabʿ al-mashhūrāt) or simply as “the renowned ones” (al-mashhūrāt). Most probably, the name Al-Muʿallaqāt in this context is a derivative of the word ʿilq, “a precious thing,” so that its meaning would be “the poems which are esteemed precious.” All that can be said with certainty is that the name Al-Muʿallaqāt appeared about 900 to distinguish the seven poems as a subset in a larger compilation of poems.
The precise poems included in Al-Muʿallaqāt present another puzzle. The list usually accepted as standard was recorded by Ibn ʿAbd Rabbih and names poems by Imruʾ al-Qays, Ṭarafah ibn al-ʿAbd, Zuhayr ibn Abī Sulmā, Labīd, ʿAntarah, ʿAmr ibn Kulthūm, and al-Ḥārith ibn Ḥilliza. Such authorities as Ibn Qutaybah, however, count ʿAbid ibn al-Abras as one of the seven, while Abū ʿUbaydah replaces the last two poets of Ibn ʿAbd Rabbih’s list with al-Nābighah al-Dhubyānī and al-Aʿshā.
" height="20" alt="HEW Logo">
Of the authors of Al-Muʿallaqāt, the earliest is Imruʾ al-Qays, who lived in the early part of the 6th century. The others belong to the latter half of that century. Zuhayr and Labīd are said to have survived into the time of Islam, but their poetic output belongs to the pre-Islamic period.
The odes of Al-Muʿallaqāt are all in the classical qaṣīdah pattern, which some Arab scholars believed to have been created by Imruʾ al-Qays. After a conventional prelude, the nasīb, in which the poet calls to mind the memory of a former love, most of the rest of the ode consists of a succession of movements that describe the poet’s horse or camel, scenes of desert events, and other aspects of Bedouin life and warfare. The main theme of the qaṣīdah (the madīḥ, or panegyric, the poet’s tribute to himself, his tribe, or his patron) is often disguised in these vivid descriptive passages, which are the chief glory of Al-Muʿallaqāt. Their vivid imagery, exact observation, and deep feeling of intimacy with nature in the Arabian Desert contribute to Al-Muʿallaqāt’s standing as a masterpiece of world literature. The lively description of a desert storm at the end of Imruʾ al-Qays’s qaṣīdah is a splendid example of such passages.
However, it should not be thought that the poems of Al-Muʿallaqāt are merely naturalistic or romantic descriptions of Bedouin life: their language and imagery embody a complex system of ethical values passed from generation to generation through the poetry.
English translations of Al-Muʿallaqāt include The Seven Golden Odes of Pagan Arabia (1903) by Lady Anne and Sir Wilfrid Scawen Blunt, The Seven Odes (1957, reissued 1983) by A.J. Arberry, The Seven Poems Suspended in the Temple at Mecca (1973, originally published in 1893) by Frank E. Johnson, and The Golden Odes of Love (1997) by Desmond O’Grady.
The trusted destination for professionals, college students, and lifelong learners.
SUBSCRIBE
