âŠof MamlĆ«k JÄbirâs Headâ) and Al-Malik huwa al-malik (1977; âThe Kingâs the Kingâ) continued his ongoing experiments with theatre dynamics through what he termed masraáž„ al-tasyÄ«s (âtheatre of politicizationâ). Because WannĆ«s was such a crucially important figure, other Syrian and Lebanese dramatists of the latter half of the 20th centuryâŠ
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