ā¦āGold in the Mireā), and A boldog ember (1935; āThe Happy Manā), which portray individualist peasant characters against the collective life of a village. KivilĆ”gos kivirradtig (1924; āUntil the Small Hours of Morningā) and Rokonok (1930; āRelativesā) deal with the life of the decaying provincial nobility. In Móriczās world, marriageā¦
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