Mozartās Ein musikalischer Spass (A Musical Joke; K. 522, 1787), deliberately violates any number of technical conventions, concluding with glaringly āwrongā notes; the endless, rapid repetitions of the word amen in Hector Berliozā oratorio LāEnfance du Christ (The Childhood of Christ; Opus 25, 1854) clearly poke fun at theā¦
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