print

In printing the negative, the photographer has a wide choice in the physical surface of the paper, the tonal contrast, and the image color. The photographer also may set up a completely artificial scene to photograph.

In motion-picture prints, overlapping dye layers in the three subtractive primaries are simultaneously present on a clear, transparent base, and the image is projected with an exposure of white light. The dark areas of the cyan layer subtract all red color, permitting only cyan (the mixture of…