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Timeline: Notable true crime texts to 1924

Please note that this timeline is a selection of texts and is far from exhaustive.

Between 1620 and 1636, the Goodcole broadsides:

Henry Goodcole, the first full-time chaplain at Newgate Prison in London, began publishing broadsides with detailed and embellished confessions of Newgate’s prisoners condemned to death. Goodcole became, according to journalist and author Lizzie Pook, “one of the most eminent authors on the 17th-century English true crime beat.” [4] [101]

1621, John Reynolds’s The Triumphs of God’s Revenge Against the Crying and Execrable Sin of Murther: Expressed in Thirty Severall Tragical Histories (digested Into Six Books) which Contain Great Variety of Mournful and Memorable Accidents, Amorous, Moral, and Divine:

The book contains salacious depictions of real-life murders and is considered one of the first true-crime books. [85] [89]

1693, Cotton Mather’s The Wonders of The Invisible World. Being an Account of the Tryals of Several Witches Lately Executed In New-England:

A pamphlet (which historically more closely resembled a short book) would set “a blueprint for true crime writing that has come since,” according to scholar Lauren Jones. Mather “adopted a more objective, journalistic tone purporting to state merely the facts of court proceedings.” [16]

1773–1891, The Newgate Calendar: Or, Malefactors’ Bloody Register:

A constantly updated compendium of sordid true crime accounts, The Newgate Calendar was for more than a century the most widely read book in Great Britain after the Bible and John Bunyan’s Christian allegory The Pilgrim’s Progress. [85] [86] [87]

1782, Caverne des Grands Voleurs (Cavern of the Great Thieves):

A Parisian wax exhibition founded by Dr. Philippe Curtius, an anatomist and wax modeler who mentored Madame Marie Tussaud and whose work inspired Tussaud’s own waxworks. The exhibit featured “sculptures of criminals, some whose corpses were delivered to Curtius following execution so that he could capture their likenesses,” according to Enric H. March. When Curtius died in September 1794, he willed his waxworks business to Tussaud. [90]

1818–present, Madame Tussaud’s Chamber of Horrors:

A waxworks museum of notorious criminals, the Chamber of Horrors began as part of Madame Marie Tussaud’s traveling show. The show has its origins in Tussaud’s death masks of French royalty and victims of the French Revolution, including King Louis XVI and Marie-Antoinette. In 1818 she devoted a specific room to the Chamber of Horrors to ephemera from the executions of Robespierre and Marie-Antoinette, as well as an Egyptian mummy and other curiosities. The exhibit quickly shifted focus to English true crime and, according to the museum, “200 named criminals have been displayed at Madame Tussauds London since 1802.” [91]

1833, The Record of Crimes in the United States: Containing a Brief Sketch of the Prominent Traits in the Character and Conduct of Many of the Most Notorious Malefactors, Who Have Been Guilty of Capital Offences; and Who Have Been Detected and Convicted /Compiled From the Best Authorities:

The publication, similar to The Newgate Calendar, was a particular favorite of self-confessed true crime junkie Nathaniel Hawthorne. Hawthorne’s novel The Scarlet Letter was inspired by the real-life suspicious death of Sarah Maria Cornell in 1832. [85] [88]

1842–43: Edgar Allan Poe’s “The Mystery of Marie RogĂȘt”:

The short story was published in three installments in Snowden’s Ladies’ Companion and is considered the first mystery story based on a true crime, the murder of “beautiful cigar girl” Mary Rogers. Poe told editors, “Under the pretense of showing how [character Le Chevalier C. Auguste] Dupin unraveled the mystery of Marie’s assassination, I, in fact, enter into a very rigorous analysis of the real tragedy in New York.” Poe, in fact, suggested he could solve the crime simply by writing analytically about it. But, before the third installment of the story was written, a witness uttered a deathbed confession attributing Rogers’s death to a botched abortion, which did not coincide with Poe’s theories and caused the story’s ending to be rushed and disappointing. The incident, however, is notable because of the reverberating concerns about the public trying to solve a crime and getting it wrong. [92]

1889–1949, William Roughead:

Roughead was, according to historian Karen Baston, a Scottish “pioneer of true crime, criminologist, and campaigner for justice.” Roughead attended every significant murder trial in the High Court of Justiciary in Edinburgh between 1889 and 1949. He wrote about and published accounts of the trials in a series of true-crime books, including Trial of Mary Blandy, Trial of John Donald Merrett, and Trial of Oscar Slater. [93] [94] [95]

1910, Celebrated Criminal Cases of America:

Written by former San Francisco police captain Thomas S. Duke, the book, according to English professor Harold Schechter, is a “collection of criminal case histories covering a wide range of reprobates, from infamous outlaws like Jesse James and the Daltons to Victorian serial killers like Theodore Durrant (aka ‘The Demon of the Belfry’) and the Chicago “multi-murderer” Dr. H.H. Holmes.” Dashiell Hammett, author of The Maltese Falcon (1930), kept a copy for bedtime reading on his nightstand, as does his character, Sam Spade. The book also appears in Hammett’s The Thin Man, in which characters consult the book to learn about Alfred G. Packer, a prospector and blizzard survivor who turned to cannibalism. [85] [96] [97]

1924, Studies in Murder:

Written by Edmund Lester Pearson, one of America’s most revered trial and crime reporters, the book contains what is considered a definitive account of the Lizzie Borden axe-murder case of 1892, in addition to covering the 1870 murder of New York financier Benjamin Nathan, the double murder of Captain Charles I. Nash and his wife Laura in 1896, and the 1904 murder of Mabel Page. Pearson’s methods closely resemble those of modern-day true-crime writers: careful research and interviews with people connected to the cases. Pearson would publish five more true-crime books before his death in 1937. [98] [99]

Discussion questions

  1. Is the creation of true crime ethical? Why or why not?
  2. Is the consumption of true crime ethical? Why or why not?
  3. Do you create or consume true crime? If no, why not? If yes, have you considered the effects of the genre on your health and well-being?
  4. What questions do you have after reading the debate above? Where might you find answers?
  5. What was the most interesting thing you learned from this debate?
  6. Consider how you felt about the issue before reading this article. After reading the pros and cons on this topic, has your thinking changed? How and why? If your thoughts have not changed, explain how and why you better understand the other side of the debate.
  7. Push for the position and policies you support by writing local officials, U.S. senators and representatives, or other people in a position to make the change you champion.

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  48. Associated Press, “Georgia Man Imprisoned for Hiding Death of Tara Grinstead Pleads Guilty in Unrelated Rape Case” (December 19, 2023), apnews.com
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