ā¦late 16th-century oval church of SantāAnna dei Palafrenieri was Borrominiās personal project. His attempt to integrate a five-bay front and two towers with the existing oval dome prefigured his SantāAgnese in Agone (in Piazza Navona) in its placement of plastic volumes in space. Equally significant was his transformation of Madernoāsā¦
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