Palazzo Barberini
Quick Summary
The Palazzo Barberini is a palace in Rome, Italy, constructed between 1629 and 1633 for the Barberini family. It is architecturally significant as it marked a departure from earlier Renaissance townhouses, featuring an open, arcaded facade and two forward-projecting wings, pioneering the Baroque style in domestic architecture.1
The palace was designed by Carlo Maderno, with Gian Lorenzo Bernini and Francesco Borromini completing the work after Maderno's death. The Barberini family occupied the Palazzo Barberini until 1949. Today, it houses part of the Galleria Nazionale d'Arte Antica (National Gallery of Ancient Art).12
Ask Britannica AI about this topic
Britannica doesn't have a full article on this topic, so we've curated a list of our relevant coverage.
Francesco BorrominiYouth and educationFor the Palazzo Barberini, Maderno determined a basic concept, then entrusted Borromini with the realization of specifics. A convergence of both talents produced the facade design of SantāAndrea della Valle, and Borromini was permitted to undertake the lantern of the churchās dome himself. Borrominiās personality is apparentā¦
Read MoreFor the Palazzo Barberini, Maderno determined a basic concept, then entrusted Borromini with the realization of specifics. A convergence of both talents produced the facade design of SantāAndrea della Valle, and Borromini was permitted to undertake the lantern of the churchās dome himself. Borrominiās personality is apparentā¦
Read More
Carlo Madernoā¦Andrea della Valle and the Palazzo Barberini (1625), were either works he only began or other architectsā works he finished. The Palazzo Barberini, which Maderno designed for the family of Pope Urban VIII, was completed by Francesco Borromini and Gian Lorenzo Bernini, whose works were influenced by Maderno.
Read Moreā¦Andrea della Valle and the Palazzo Barberini (1625), were either works he only began or other architectsā works he finished. The Palazzo Barberini, which Maderno designed for the family of Pope Urban VIII, was completed by Francesco Borromini and Gian Lorenzo Bernini, whose works were influenced by Maderno.
Read More