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Viacom

United States

Paramount Pictures

American film studio

Also known as: Paramount Pictures Corporation, Paramount Pictures, Inc.

Written and fact-checked byThe Editors of Encyclopaedia Britannica

Updated: Nov. 13, 2026

The historic Bronson Gate at Paramount Pictures film studios in Hollywood, Los Angeles, features an ornate archway with Paramount Pictures written above and a fountain in the foreground.

The historic Bronson Gate entrance to Paramount Pictures film studios, Hollywood, Los Angeles.

Also Known As:: Paramount Pictures Corporation; Paramount Pictures, Inc.

Date:: 1914 - present

Headquarters:: Hollywood

Areas Of Involvement:: film; television

Ticker:: SKYD

Share price:: $7.52 (mkt close, Nov. 13, 2026)

Market cap:: $38.13 bil.

Annual revenue:: $29.43 bil.

Earnings per share (prev. year):: $-0.02

CEO:: Mr. David Ellison

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Skydance Games Layoffs Hit Following Warner Bros. Merger • Nov. 9, 2026, 02:35 PM (ET)(Variety)

Paramount Pictures is one of the first and most successful of the Hollywood film studios. It became a subsidiary of Viacom in 1994, Paramount Global in 2022, and has been part of Skydance Corporation (SKYD) since Paramount Global’s merger with Skydance Media in 2025.

Founding and early growth

Poster for the 1923 film The Ten Commandments shows an illustration of Moses holding stone tablets with Hebrew writing, with bold text listing Cecil B. DeMille as producer.

Movie poster for The Ten Commandments (1923), directed by Cecil B. DeMille.

From a private collection

Paramount Pictures Corp. was established in 1914 by W.W. Hodkinson as a film distributor, offering Adolph Zukor’s Famous Players Film Company, the Jesse L. Lasky Feature Play Company, and other producers an outlet for their movies. In 1916 Zukor and Lasky merged their companies to form the Famous Players–Lasky Corporation and acquired Paramount to distribute their films. The new company, which continued to use the name Paramount as well, quickly rose to prominence by featuring such popular stars as Mary Pickford, Fatty Arbuckle, Gloria Swanson, Clara Bow, and Rudolph Valentino. Its early hits included the first “big western,” The Covered Wagon (1923), and The Ten Commandments (1923), a biblical epic directed by Cecil B. DeMille.

Challenges and transformation in the studio era

Barbara Stanwyck stands beside Henry Fonda, who is seated on the floor in a white tuxedo, as two men assist him in a formal dining room scene from The Lady Eve.

Barbara Stanwyck and Henry Fonda (center right) in The Lady Eve (1941), directed by Preston Sturges.

In the late 1920s and ’30s, the studio added to its roster such stars as Claudette Colbert, Carole Lombard, Marlene Dietrich, Mae West, Gary Cooper, Maurice Chevalier, W.C. Fields, and Bing Crosby and such directors as Ernst Lubitsch, Josef von Sternberg, and Rouben Mamoulian. Although it continued to produce films that were artistically and financially successful, it suffered losses from its chain of theaters during the transition to sound, and Paramount was declared bankrupt in 1933.

It was reorganized two years later as Paramount Pictures, Inc., and was soon profitable again. The company suffered a setback in 1948 when the Supreme Court ruled that seven movie studios, including Paramount, were in violation of the Sherman Antitrust Act by controlling both movie distribution and exhibition. As a result, the studios were forced to sell their theaters. No longer able to dictate where and when films would be played, Paramount and other studios began to make fewer—though more expensive—movies.

Creative peak in the 1940s and ’50s

Gloria Swanson, looking up with a dramatic expression, stands close to William Holden, who faces her in a suit, in a scene from the film Sunset Boulevard.

Gloria Swanson and William Holden in Sunset Boulevard (1950), directed by Billy Wilder.

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Grace Kelly stands beside James Stewart, who is seated and looking through binoculars, in a scene from Alfred Hitchcock's film Rear Window.

Grace Kelly and James Stewart in Rear Window (1954), directed by Alfred Hitchcock.

Despite such setbacks, Paramount had a number of successes in the 1940s and ’50s, notably the satirical comedies of writer-director Preston Sturges (e.g., The Lady Eve [1941]); the sentimental musical drama Going My Way (1944); the cynical dramas and comedies of writer-director Billy Wilder (Double Indemnity [1944], Sunset Boulevard [1950]); the “road” comedies of Bob Hope, Bing Crosby, and Dorothy Lamour (Road to Zanzibar [1941], Road to Rio [1947]); the landmark western Shane (1953); Alfred Hitchcock’s Rear Window (1954); and DeMille’s remake of The Ten Commandments (1956).

Conglomerate era and blockbuster franchises

(From left to right) Vera Miles, John Gavin, and Anthony Perkins in Psycho (1960).

(From left to right) George Peppard, Audrey Hepburn, and Patricia Neal in Breakfast at Tiffany’s (1961), directed by Blake Edwards.

Salvatore Corsitto leans in to speak to Marlon Brando as Vito Corleone in a dimly lit scene from the film The Godfather, directed by Francis Ford Coppola.

Salvatore Corsitto (left) and Marlon Brando in The Godfather (1972), directed by Francis Ford Coppola.

Harrison Ford as Indiana Jones stands holding a whip in an ancient, dimly lit chamber with Egyptian hieroglyphs and a sarcophagus in the background.

Harrison Ford as Indiana Jones in Indiana Jones and the Raiders of the Lost Ark (1981), directed by Steven Spielberg.

The company merged with Joseph E. Levine, Inc., in the 1960s. In 1966 Gulf + Western Industries took control of the corporation. Paramount Pictures became a key element in the restructuring of Gulf + Western from a diverse conglomerate into one focusing on media and communications—a transformation reflected when Gulf + Western changed its name to Paramount Communications Inc. in 1989.

Ron Howard, Henry Winkler, Don Most, and Anson Williams gather around a table in a publicity still from Happy Days.

(Clockwise from lower left) Anson Williams as Potsie, Don Most as Ralph, Henry Winkler as Fonzie, and Ron Howard as Richie in Happy Days (1974–84).

The main cast of Cheers poses in the bar set, with George Wendt as Norm, Shelley Long as Diane, Ted Danson as Sam, Rhea Perlman as Carla, Woody Harrelson as Woody, and John Ratzenberger as Cliff.

Cast of Cheers (from left to right): George Wendt, Shelley Long, Ted Danson, Rhea Perlman, Woody Harrelson, and John Ratzenberger. (Other members of the cast during Cheers’s long run not pictured here: Nicholas Colasanto, Kirstie Alley, Kelsey Grammer, and Bebe Neuwirth.)

Paramount Television

Kelsey Grammer, Peri Gilpin, and Harriet Sansom Harris with guest star Dr. Phil in Frasier, 2003.

PRNewsFoto/Paramount Network Television/AP Images

Films of this period include Psycho (1960), Breakfast at Tiffany’s (1961), Love Story (1970), The Godfather (1972) and its sequels, Star Trek: The Motion Picture (1979) and its sequels, Apocalypse Now (1979), and Raiders of the Lost Ark (1981) and its sequels. During this time, Paramount also began to focus on TV, eventually establishing Paramount Television. In 1967 it acquired Lucille Ball’s Desilu Productions, best known for the series I Love Lucy (1951–56). Paramount went on to produce a number of classic series, notably The Brady Bunch (1969–74), Taxi (1978–83), Happy Days (1974–84), Cheers (1982–93), and Frasier (1993–2004).

Viacom ownership and 1990s box office success

A scene from the film Braveheart (1995), starring Mel Gibson.

Leonardo DiCaprio and Kate Winslet in Titanic (1997), directed by James Cameron.

In 1994, Paramount Communications was acquired by Viacom Inc. During this decade its notable films include the blockbusters Ghost (1990), Forrest Gump (1994), Braveheart (1995), and Titanic (1997); the latter movie, which was made jointly with 20th Century Fox, tied the record for most Academy Awards (11) and was the first to earn more than $1 billion at the box office.

In the early 21st century, a struggling Viacom split into two separate companies: Viacom and CBS Corporation. Viacom retained Paramount Pictures, while Paramount Television moved to CBS. Despite being held by separate entities after the split, the renamed CBS Paramount Television retained some production and distribution ties with Paramount Pictures, reflecting their shared history, but the two no longer operated as directly affiliated businesses.

Foreign investment and box office struggles

In 2016, Viacom announced that it was negotiating the sale of a 49% stake in Paramount Pictures to Wang Jianlin’s Dalian Wanda, a Chinese entertainment conglomerate. The news came as Paramount struggled at the box office. Although the deal was later called off, the studio received a major investment from two Chinese film companies in 2017. Paramount’s hits from this period include both the Iron Man and Star Trek series, The Fighter (2010), and The Wolf of Wall Street (2013).

Skydance acquisition of Paramount Global

In July 2025, Paramount Global, the parent company of Paramount Pictures, was acquired in an $8 billion merger with Skydance Media, after receiving approval by the Federal Communications Commission (FCC). The combined company was valued at $28 billion, with Skydance CEO David Ellison, son of Oracle (ORCL) cofounder Larry Ellison, assuming leadership. The deal made Paramount Pictures a subsidiary of the newly formed Paramount Skydance Corporation and marked the end of Paramount’s tenure as a standalone media conglomerate.

The merger followed a politically sensitive legal settlement involving CBS News, another division of Paramount Global, and President Donald Trump. The controversy led to editorial conditions being imposed on CBS, but Paramount Pictures’ operations weren’t directly affected.

In October 2026, after acquiring Warner Bros. Discovery, Paramount Skydance changed its name to Skydance Corporation.

This article was most recently revised and updated by The Editors of Encyclopaedia Britannica