Mickey and Minnie Mouse on a parade float.
© Bastiaan Slabbers/iStock.com
Although films continued to be a major component of the Disney Company at the turn of the 21st century, they were just one of many successful ventures. New Disney theme parks were opened in Paris, Tokyo, Shanghai, and Hong Kong, and the company experimented with an indoor theme park, called DisneyQuest, which featured interactive virtual-reality arcades. In the early 21st century more than 115 million people visited Disney attractions annually worldwide.
The Disney Magic, the first ship in the Disney Cruise Line, was launched on July 30, 1998, and offered vacation packages to the Caribbean islands.
In addition to the long-running Disney Channel cable network, broadcasting interests were expanded to include the ABC network, the ESPN sports cable network, and Radio Disney.
The companyâs most visible and noteworthy enterprise of the 1990s was its foray into Broadway musicals. Stage adaptations of the animated features Beauty and the Beast and The Lion King, both visually resplendent and long-running successes, premiered in 1994 and 1997, respectively. The company purchased Broadwayâs New Amsterdam Theatre in 1997 and has been credited with many civic improvements in the Broadway area. Disneyâs most ambitious stage production was a modern version of Aida, first produced in 2000, with a score by the Lion King composing team of Elton John and Tim Rice.
Promotional poster for Pirates of the Caribbean: The Curse of the Black Pearl (2003).
PRNewsFoto/Starz Encore Group/AP Images
In the 21st century, Disneyâs partnership with Pixar continued to bear fruit, and their innovative films challenged previously held notions of what could be done with computer animation. A number of their films, including Finding Nemo (2003), Ratatouille (2007), WALLâE (2008), Up (2009), Toy Story 3 (2010), Inside Out (2015), Coco (2017), Toy Story 4 (2019), and Soul (2020), won Academy Awards for best animated film.
Disneyâs own computer-animated films also proved popular. Among them were Tangled (2010), Wreck-It Ralph (2012), Frozen (2013), and Encanto (2021). Disneyâs live-action films experienced something of a rebirth when Pirates of the Caribbean: The Curse of the Black Pearl (2003), a film loosely inspired by a ride at Disney theme parks, scored huge numbers at the box office. The film, which featured Johnny Depp as the sea-addled pirate Captain Jack Sparrow, launched a franchise that grossed billions of dollars worldwide.
(From left) Lupita Nyongâo, Chadwick Boseman, and Danai Gurira in a publicity still from Black Panther (2018).
© Walt Disney Pictures and Marvel Entertainment
Michael Eisner concluded his two-decade run as Disneyâs CEO in 2005. He was succeeded by former ABC chairman Robert Iger. Iger oversaw a dramatic expansion of the Disney brand and orchestrated a string of high-profile acquisitions. In 2006 Disney purchased Pixar for $7.4 billion, and it acquired Marvel Entertainment, a company best known as a comic book publisher, for $4 billion in 2009.
Marvel, which had just begun to accelerate its film-development schedule at the time of the purchase, produced a string of superhero blockbusters that took place in a shared world known as the Marvel Cinematic Universe (MCU). The MCU films quickly became the top-grossing franchise in box office history, with titles such as The Avengers (2012), Guardians of the Galaxy (2014), and Black Panther (2018) being just a few of the many films that, together, grossed billions of dollars worldwide.
Disney continued producing numerous live-action movies based on its animated classics, among them Alice in Wonderland (2010), Cinderella (2015), Beauty and the Beast (2017), Aladdin (2019), Mulan (2020), Cruella (2021), and Peter Pan & Wendy (2023).
Daisy Ridley (left) and John Boyega in Star Wars: Episode VIIâThe Force Awakens (2015), directed by J.J. Abrams.
© 2015 Lucasfilm
In 2012 Disney acquired Lucasfilm Ltd. from filmmaker George Lucas for roughly $4 billion. The purchase brought the Star Wars franchise under the Disney umbrella, and in 2015 the company released the seventh installment in the series, Star Wars: The Force Awakens, which was directed by J.J. Abrams. Two more movies followedâStar Wars: Episode VIIIâThe Last Jedi (2017), directed by Rian Johnson, and Star Wars: The Rise of Skywalker (2019; also called Star Wars: Episode IXâThe Rise of Skywalker), directed by Abramsâto complete the nine-film saga.
Disney also produced stand-alone films that took place within the Star Wars universe, the first of which was Rogue One: A Star Wars Story (2016), as well as several television series and much else.
In 2017 Disney agreed to purchase most of the holdings of 21st Century Fox, including the film studio 20th Century Fox. The deal closed in 2019 and was valued at about $71 billion; it also made Disney a majority owner of streaming service Hulu. In 2019 Disney also entered the crowded streaming market under its own brand, Disney+, a subscription video service that collected the companyâs film and television franchises on a single platform.
Leadership and succession
In 2020, Iger stepped down and was replaced as CEO by Bob Chapek, who had been in charge of the companyâs parks, experiences, and products division. After several quarters of declining financial performance and what the board of directors viewed as strategic missteps, Chapek was removed in late 2022, and Iger returned to the helm, initiating a major corporate restructuring that included spending cuts and workforce reductions.
The following year Iger announced a planned $60 billion expansion in its Disney Experiences division, including upgrades to its theme parks in California and Florida. In May 2025, the company unveiled plans to build a new theme park in Abu Dhabi, United Arab Emirates, in a partnership with Miral Group, a UAE-based sovereign wealth fund.
In February 2026, the company named Josh DâAmaro, chair of Disney Experiences, to succeed Bob Iger as CEO. DâAmaro, who joined Disney in 1998 and had overseen the companyâs theme parks, resorts, cruise ships, and licensing business, became CEO in March. He succeeded Iger after a multiyear succession process that followed Igerâs return to the role in 2022.
In August 2026, Disney and its ABC subsidiary sued the Federal Communications Commission (FCC), alleging that the agency had violated the companiesâ First Amendment rights through investigations and an early review of the broadcast licenses of eight ABC-owned television stations. The suit accused the FCC of retaliating against ABC over news coverage and programming critical of the administration of President Donald Trump.
DâAmaro had defended Disneyâs position days earlier, saying that the company would stand up for âjournalistic integrityâ and would not âbe told how to run that side of our business.â
Among many studies of the history and cultural influence of the company Walt Disney founded are Christopher Finch, The Art of Walt Disney: From Mickey Mouse to the Magic Kingdom (1973); Jack Kinney, Walt Disney and Assorted Other CharactersâAn Unauthorized Account of the Early Years at Disneyâs (1988); Bob Thomas, Disneyâs Art of Animation: From Mickey Mouse to Beauty and the Beast (1991); Nathalia Holt, The Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History (2019); Jake S. Friedman, The Disney Revolt: The Great Labor War of Animationâs Golden Age (2022); Chris Pallant, Demystifying Disney: A History of Disney Feature Animation (2011); and Douglas Brode, From Walt to Woodstock: How Disney Created the Counterculture (2004). Don Peri, Working with Walt (2008), is a collection of interviews with animators and others who worked at Disney. James B. Stewart, DisneyWar (2005), documents Michael Eisnerâs departure from Disney. Katherine Greene and Richard Greene, Inside the Dream: The Personal Story of Walt Disney (2001), is a celebration of Disney and his company published under the Disney Editions imprint.
This article was most recently revised and updated by J.E. LueberingThis article was most recently revised and updated by The Editors of Encyclopaedia Britannica
