- Byname of:
- Alfred Matthew Yankovic
- Born:
- October 23, 1959, Downey, California, U.S. (age 67)
- Awards And Honors:
- Grammy Award
- Notable Works:
- âEat Itâ
- âMy Bolognaâ
âWeird Alâ Yankovic
-
Who is "Weird Al" Yankovic?
"Weird Al" Yankovic (born Alfred Matthew Yankovic on October 23, 1959) is an American musician and songwriter, celebrated for his parodies of popular songs and music videos. Yankovic gained national recognition in 1984 with "Eat It," a parody of Michael Jacksonâs "Beat It".
Yankovic began writing parody songs, such as "Another One Rides the Bus," a parody of Queenâs "Another One Bites the Dust," and sought permission from the original artists to parody their songs. In 1983, he released his first album, âWeird Alâ Yankovic and made his first music video, for the song âRicky,â a parody of Toni Basilâs âMickeyâ. His album Mandatory Fun (2014) debuted at number one on the Billboard 200 album chart. Yankovic has also written childrenâs books and worked as a voice actor for television shows and films.
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What kind of music is "Weird Al" Yankovic known for?
"Weird Al" Yankovic, born Alfred Matthew Yankovic, is an American musician and songwriter famous for his parodies of songs and music videos. Though parody songs are generally considered fair use, Yankovic seeks permission from the original artists.
His 1984 single, "Eat It," a parody of Michael Jacksonâs "Beat It," gained him national fame and a Grammy Award. Yankovic's parodies include "Like a Surgeon" (based on Madonnaâs "Like a Virgin") and "Amish Paradise" (a spoof of Coolioâs "Gangstaâs Paradise"). He also incorporates original songs into his albums.
Yankovic's early musical interest was sparked by novelty and comedy songs, and he was influenced by artists such as Spike Jones, Allan Sherman, and Shel Silverstein.
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What is a parody, and how does "Weird Al" use it in his songs?
A parody is a work that imitates and exaggerates another work for comic effect. "Weird Al" Yankovic is a musician and songwriter known for his parodies of songs and music videos by other musicians.
Yankovic often seeks permission from the original artists to parody their songs, though it is generally considered fair use under U.S. copyright law. For example, his song "Eat It" parodies Michael Jackson's "Beat It" through a humorous, shot-for-shot remake of the original music video.
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Can you name some popular songs that "Weird Al" has parodied?
"Weird Al" Yankovic, born Alfred Matthew Yankovic on October 23, 1959, is an American musician renowned for his parodies of popular songs and music videos.
Some of his well-known parodies include:
- "Eat It" (1984), a parody of Michael Jackson's "Beat It"
- "Another One Rides the Bus," a parody of Queen's "Another One Bites the Dust"
- "I Love Rocky Road," based on "I Love Rock 'n' Roll" by Joan Jett and the Blackhearts
- "Like a Surgeon," based on Madonna's "Like a Virgin"
- "Fat," a parody of Michael Jacksonâs "Bad"
- "Smells Like Nirvana" (1992), a parody of Nirvanaâs "Smells Like Teen Spirit"
- âAmish Paradiseâ (1996), a spoof of Coolioâs âGangstaâs Paradise"
- âWhite & Nerdy,â a parody of âRidinâ\u2009â by Chamillionaire
- âWord Crimesâ, which is based on âBlurred Linesâ by Robin Thicke
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How does "Weird Al" create his music videos to fit his unique style?
"Weird Al" Yankovic is known for his parodies of songs and music videos by other musicians. His music videos often involve humorous, shot-for-shot remakes of the original videos. For example, his music video for "Eat It" is a parody of Michael Jacksonâs "Beat It," which recreates the original's dance choreography, setting, and wardrobe.
Yankovic began his career creating parodies such as "Another One Rides the Bus,â a parody of Queenâs âAnother One Bites the Dust,â and "I Love Rocky Road," based on Joan Jett and the Blackheartsâ "I Love Rock 'n' Roll". His first music video was for the song âRicky,â a parody of Toni Basilâs 1981 hit song âMickey,â which debuted on MTV.
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How has "Weird Al" Yankovic influenced comedy and music throughout his career?
"Weird Al" Yankovic, born Alfred Matthew Yankovic on October 23, 1959, is renowned for his parodies of popular songs and music videos. Yankovic's influence spans both comedy and music, marked by his humorous and clever adaptations of popular songs.
Yankovic gained national recognition in 1984 with "Eat It," a parody of Michael Jackson's "Beat It". His success continued with albums like Dare to Be Stupid (1985) and Even Worse (1988), which featured parodies such as "Like a Surgeon" and "Fat," respectively. Yankovic's work includes original songs and forays into television and film, such as The Weird Al Show and UHF. His ability to sustain a successful career as a celebrated humorist in pop music underscores his lasting impact.
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âWeird Alâ Yankovic (born October 23, 1959, Downey, California, U.S.) is a musician and songwriter best known for his parodies of songs and music videos by other musicians. He gained national fame in 1984 with the song and music video for âEat It,â a parody of Michael Jacksonâs hit song âBeat It.â Whereas most novelty song artists have achieved only fleeting success, Yankovic has built a long and successful career as one of pop musicâs most celebrated humorists.
Early life
Yankovic grew up in Lynwood, California, the only child of Nick Yankovic, a factory worker, and Mary (nĂ©e Vivalda) Yankovic, who worked as a secretary and stenographer. In the liner notes to the compilation Permanent Record: Al in a Box (1994), Yankovic recalled that, when he was six years old, âA door-to-door salesman came through our neighborhood, trying to solicit business for a local music school. Kids were offered a choice between guitar lessons and accordion lessons. Since Frankie Yankovic (no relation) was Americaâs Polka King, my parents opted for accordion lessons, perhaps because they figured there should be at least one more accordion-playing Yankovic in the world.â
Growing up, Yankovic was an avid fan of Dr. Demento, a disc jockey with a nationally syndicated radio show that featured novelty and comedy songs. Yankovicâs favorite artists on the show included Spike Jones, Allan Sherman, and Shel Silverstein. He was also influenced by the British sketch comedy series Monty Pythonâs Flying Circus and pop musician Elton John. In 1973 Dr. Demento spoke at his high school, and Yankovic gave the disc jockey a cassette tape featuring some comical songs he had written. Three years later Yankovic sent him another tape, this one including the original song âBelvedere Cruising,â which Demento played on his show.
After graduating from high school at age 16, Yankovic pursued a degree in architecture at California Polytechnic State University. He began working as a disc jockey at the campus radio station, KCPR, using the nickname âWeird Alâ as his on-air moniker. In 1979, during his junior year, he wrote âMy Bologna,â a parody of the hit song âMy Sharonaâ by the Knack. He recorded the accordion track for the song in the restroom across the hall from the KCPR studios, because he thought that the acoustics there were ideal. âMy Bolognaâ was a huge hit on the Dr. Demento Show, and it also caught the attention of members of the Knack, who persuaded their label, Capitol Records, to release it as a single.
Career
After graduating from college in 1980, Yankovic moved to Los Angeles, where he worked in a mail room at a radio network and began performing in clubs and opening for other acts. He wrote more parody songs, such as âAnother One Rides the Bus,â a parody of âAnother One Bites the Dustâ by Queen and âI Love Rocky Road,â which is based on âI Love Rock ânâ Rollâ by Joan Jett and the Blackhearts, originally recorded by the Arrows. Although the recording of parody songs is generally considered fair use according to U.S. copyright law, Yankovic made it a practice to seek permission from the original artists and songwriters to parody their songs.
In 1982 he signed with the Scotti Brothers Records label and released his first album, âWeird Alâ Yankovic, in 1983. He also made his first music video, for the song âRicky,â which debuted on the music video channel MTV. âRickyâ was a parody of Toni Basilâs 1981 hit song âMickeyâ and a satiric tribute to the television comedy series I Love Lucy, with voice actress Tress MacNeille singing the part of Lucy Ricardo (who was portrayed by Lucille Ball on the show) and Yankovic singing as Ricky Ricardo (who was played by Desi Arnaz on the show).
In 1984 Yankovic released the single âEat It,â which became a top 20 hit and earned Yankovic a Grammy Award for best comedy recording. A large part of the songâs success was its music video, a humorous shot-for-shot remake of Jacksonâs video that recreated the originalâs dance choreography, setting, and wardrobe, complete with Jacksonâs iconic red leather jacket, glittery socks, and black penny loafers. The song appeared on Yankovicâs second album, âWeird Alâ Yankovic in 3-D (1984), which also included the parody songs âI Lost on Jeopardyâ (after âJeopardyâ by the Greg Kihn Band) and âThe Brady Bunchâ (after âThe Safety Danceâ by Men Without Hats). The album went platinum, selling more than a million copies.
Yankovicâs third album, Dare to Be Stupid (1985), also went platinum and featured original songs, including the title track, and more parodies, such as âLike a Surgeonâ (based on âLike a Virginâ by Madonna) and âGirls Just Want to Have Lunchâ (after âGirls Just Want to Have Funâ by Cyndi Lauper). That same year, he released a mock documentary, or mockumentary, home video, The Compleat Al, as well as a book, The Authorized Al, both of which offered humorous, semi-fictional accounts of his life.
Yankovicâs next album, Polka Party! (1986), failed to sell as well as his first three albums. However, he achieved platinum sales again with the album Even Worse (1988), anchored by the song and video for âFat,â a parody of Jacksonâs song âBad.â âFatâ earned Yankovic his second Grammy Award, for best concept music video. Also in 1988 he narrated a recording of the tale Peter and the Wolf, which was nominated for a Grammy for best childrenâs recording, and he had cameo roles in the films Tapeheads and The Naked Gun: From the Files of Police Squad! In 1989 he cowrote and starred in UHF, a comedy film about a television station manager who scores big ratings with wacky programming ideas.
In the years after UHF, Yankovic released eight more albums. He achieved double platinum sales for Bad Hair Day (1996), and he won the Grammy for best comedy album for Poodle Hat (2003) and for Mandatory Fun (2014). Mandatory Fun debuted at number one on the Billboard 200 album chart, the first time a comedy album had topped the chart since 1963. His hit songs from this era include âSmells Like Nirvanaâ (1992), a parody of Nirvanaâs âSmells Like Teen Spirit,â and âAmish Paradiseâ (1996), a spoof of Coolioâs âGangstaâs Paradise.â In 2006 Yankovic had his first top 10 hit with âWhite & Nerdy,â a parody of âRidinâââ by Chamillionaire, and he had a top 40 hit in 2014 with âWord Crimesâ, which is based on âBlurred Linesâ by Robin Thicke.
Apart from his musical projects, Yankovic wrote and starred in the childrenâs television series The Weird Al Show (1997). Additionally, he has written the childrenâs books When I Grow Up (2011) and My New Teacher and Me! (2013). He worked as a voice actor for several animated television shows and films, including the superhero television series Transformers: Animated (2008â09), the animated superhero film Batman vs. Robin (2015), the sketch comedy series Robot Chicken (2006â17), and the comedy series Milo Murphyâs Law (2016â19). In 2018 he won the Grammy for the best boxed or special limited-edition package for his album Squeeze Box: The Complete Works of âWeird Alâ Yankovic (2017).
In 2001 Yankovic married marketing executive Suzanne Krajewski. The couple have a daughter, Nina, who was born in 2003.
The parody biographical film Weird: The Al Yankovic Story, which is loosely based on Yankovicâs life and career, premiered on the Roku Channel in 2022. The film was cowritten and coproduced by Yankovic and starred Daniel Radcliffe. In 2024 the film won an Emmy Award for outstanding television movie and an Emmy for outstanding music composition for a limited or anthology series, movie, or special.
