Britannica AI Icon
Adding us as a Preferred Source tells Google you trust our content, so our articles show up more often in your Google Search, Discover feed, and AI Overviews.
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

External Websites

Taikō Josetsu (flourished 15th century, Kyōto) was a priest and painter, regarded as the first of the long line of Japanese Zen Buddhist priests who painted in the Chinese-inspired suiboku (monochromatic ink painting) style.

Josetsu was associated with the Shōkoku-ji (in present Kyōto), where his pupil, the prominent painter Tenshō Shūbun (flourished early–mid-15th century) also resided. Josetsu’s most important work is an ink landscape painting, “Catching a Catfish with a Gourd.” It was painted c. 1413, commissioned by Ashikaga Yoshimochi, the 4th Muromachi shogun and a disciple of Zen. It is one of the earliest suiboku paintings in Japan. The subject is Zen inspired; the soft ink-wash technique reflects the influence of Mu Ch’i Fa-ch’ang, a 13th-century Chinese Zen Buddhist painter whose style was widely emulated by the Japanese priest-painters. Josetsu is also believed to have done the boldly executed group portrait of Buddha, Lao-tzu, and Confucius, “The Three Teachers,” located in the Ryōsoku-in monastery, Kyōto.

This article was most recently revised and updated by Encyclopaedia Britannica.
Discover the fascinating events that shaped the world, straight from our editors.
By clicking “Sign Up”, you consent to the Britannica Privacy Policy and Terms of Use.