Richard Long

British sculptor

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July 21, 2026

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Richard Long is a British artist known for his work in Land art, a movement that emerged in the 1960s and 70s. Unlike American land artists who often created monumental works in vast landscapes, British artists like Long tended to make more subtle interventions.

One of Long's characteristic works is A Line Made by Walking (1967), where he created a simple line in a field by repeatedly walking back and forth. This approach emphasizes the process and the artist's interaction with the environment rather than large-scale material manipulation. His work often involves natural materials and simple actions, reflecting a different sensibility within the broader land art movement.12

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Western painting
Land art
…Line Made by Walking (1967), Richard Long simply trod a mark into a field of daisies by walking backward and forward repeatedly. Another characteristic British work is Ian Hamilton Finlay’s garden, Stonypath, in Lanarkshire, Scotland. Dotted with clumps of trees harboring stone tablets inscribed with allusive epigrams, it speaks knowingly…
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…Line Made by Walking (1967), Richard Long simply trod a mark into a field of daisies by walking backward and forward repeatedly. Another characteristic British work is Ian Hamilton Finlay’s garden, Stonypath, in Lanarkshire, Scotland. Dotted with clumps of trees harboring stone tablets inscribed with allusive epigrams, it speaks knowingly…
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Western painting
Anti-Form and post-Minimalist sculpture in the United States and Britain: 1967–2000
…Barry Flanagan, Bruce McLean, and Richard Long produced humorous informal works in which the context—which in Long’s case was often a landscape far removed from the gallery setting—was given considerable emphasis. It was not until the end of the 1970s—in an exhibition held in London and Bristol titled Objects and…
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…Barry Flanagan, Bruce McLean, and Richard Long produced humorous informal works in which the context—which in Long’s case was often a landscape far removed from the gallery setting—was given considerable emphasis. It was not until the end of the 1970s—in an exhibition held in London and Bristol titled Objects and…
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