- Born:
- Aug. 2, 1897, Chaville, France
- Died:
- March 11, 1990, Paris (aged 92)
- Notable Works:
- âAge of Assassinsâ
- âLe NĂšgreâ
- âThe Magnetic Fieldsâ
- Movement / Style:
- Dada
- Surrealism
- automatism
Philippe Soupault
Philippe Soupault (born Aug. 2, 1897, Chaville, Franceâdied March 11, 1990, Paris) was a French poet and novelist who was instrumental in founding the Surrealist movement.
Soupaultâs earliest verse collection, Aquarium (1917), was published with the help of Guillaume Apollinaire, who introduced Soupault to AndrĂ© Breton. In 1919 Soupault, Breton, and Louis Aragon cofounded the review LittĂ©rature. Originally drawn to the antirationalism of the Dada movement, Soupault soon rejected its nihilism, and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the âautomatic writingâ of the jointly authored Les Champs magnĂ©tiques (1920; The Magnetic Fields), known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in Westwego (1922) and Georgia (1926). As the Surrealist movement became increasingly dogmatic and political, Soupault grew dissatisfied with it and eventually broke with it and Breton.
After the mid-1920s Soupault devoted himself primarily to writing novels and essays and to journalism. His novels centre on the concepts of freedom and revolt. Les FrĂšres Durandeau (1924; âThe Durandeau Brothersâ) is a scathing portrait of the middle class. Le NĂšgre (1927; âThe Negroâ) traces a black manâs pursuit of liberty. Les Moribonds (1934; âThe Dyingâ) is a semiautobiographical description of a youthâs flight from his bourgeois family. Le Temps des assassins (1945; Age of Assassins), a memoir, details Soupaultâs six-month imprisonment by the Vichy government in Tunis, Tunisia, where he worked as a journalist and as director of Radio Tunis. A second autobiography, MĂ©moires de lâoubli (âMemoirs of Oblivionâ), was published in 1981. Soupault also wrote a number of biographies, plays, and critical essays. He was awarded the Grand Prix de PoĂ©sie of the French Academy in 1972.