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Paul Delvaux

Belgian painter

Paul Delvaux (born September 23, 1897, Antheit, LiĆØge, Belgium—died July 20, 1994, Veurne) was a Belgian Surrealist painter and printmaker whose canvases typically portray transfixed nudes and skeletons in mysterious settings.

From 1920 to 1924 Delvaux studied architecture and painting at the AcadƩmie des Beaux-Arts in Brussels. His early work was influenced by Post-Impressionism and Expressionism, but after discovering the work of Salvador Dalƭ, Giorgio de Chirico, and his fellow Belgian RenƩ Magritte, Delvaux converted to a Surrealist style in the mid-1930s. He traveled through Italy before World War II, and the Classical architecture he encountered there developed into recurring motifs in his work. During that trip he was also greatly influenced by early 16th-century Italian Mannerist painting, which took liberties with form and space.

Like Magritte and DalĆ­, Delvaux’s Surrealist approach entailed creating an illusionistic depiction of an illogical dream space. A representative Delvaux painting is The Echo (1943), in which three somnambulistic, doe-eyed nudes walk in tandem past empty Classical temples, as if walking through time. His oeuvre is notable for its unvarying use of the same style and set of motifs. He was a professor of painting in Brussels from 1950 to 1962, and in 1982 the Paul Delvaux Museum opened in Belgium.

Color pastels, colored chalk, colorful chalk. Hompepage blog 2009, arts and entertainment, history and society
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The Editors of Encyclopaedia Britannica This article was most recently revised and updated by Alicja Zelazko.
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