- Born:
- September 25, 1940, Collo, Algeria
- Died:
- August 30, 2016, Paris, France (aged 75)
Nabile Farès
Nabile Farès (born September 25, 1940, Collo, Algeriaâdied August 30, 2016, Paris, France) was a Kabylian novelist and poet known for his abstruse, poetic, and dreamlike style. Rebellion against the established religious traditions and the newly formed conventions of Algeria since independence was central to his work.
In his first novel, Yahia, pas de chance (1970; âYahia, No Chanceâ), Farès introduced a quest that was to haunt his later works; the search for the self takes him back to his childhood and, further still, to the pre-Islamic voices of inspiration tied to the earth. Farèsâs successive novelsâUn Passager de lâOccident (1971; âA Passenger from the Westâ) and the trilogy La DĂŠcouverte du nouveau monde (âThe Discovery of the New Worldâ), including Le Champ des oliviers (1972; âThe Field of Olive Treesâ), MĂŠmoire de lâabsent (1974; âMemory of the Absentâ), and LâExil et le dĂŠsarroi (1976; âExile and Disorderâ)âcarry forward the diffuse style and themes of lost innocence and delirium. The past is traced to the mixed origins engendered by Berber, Muslim, and French influences: the semimythical queen Kahena, the Bedouin invader, and the European colonizer are traced and identified as the source of the mĂŠtissageâthe cultural intermingling, or mixed identity. Farèsâs work demands the death of the identity and the explosion of the New City (the sign of Algeria since independence), in order that a truly new world may be forged.
In his novels, Farès sought to create a style that would match the explosive quality of his theme. Thus, form and prose burst into poetic and dramatic shape and, at the extreme, act through pure accumulation or conjunction of rapid-fire language, often having the effect of concrete poetry. Indeed, so violent is the explosion of words, whole passages are at times reduced to fragmented letters barely able to be pieced together.
Farès wrote several volumes of poetry, including Le chant dâAkli (1971; âThe Song of Akliâ) and Chants dâhistoire et de vie pour des roses de sable: texte bilingue pour un peuple sahrawi (1978; âSongs of History and Life for the Sand Rosesâ). The latter, written in Spanish and French, is a celebration of the struggle of the Saharoui people against the partition of the territory of the Spanish Sahara. A later collection was LâExil au fĂŠminin (1986; âExile to the Feminineâ).