…when the complex work of Miklós Jancsó (Szegénylegények [The Round-Up], 1965; Csillagosok, katonák [The Red and the White], 1967; Még kér a nép [Red Psalm], 1972) began to be internationally recognized. The rigorous training given students at the Budapest Film Academy ensured that the younger generation of Hungarian filmmakers would…
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