…involved in that movement—Jannis Kounellis, Michelangelo Pistoletto, Luciano Fabro, Giovanni Anselmo, and Mario Merz preeminently—were united in attempting to shake off their nation’s tradition-bound view of aesthetics, but they were also deeply engaged with social issues and with reinstalling a metaphysical content into art. Like Beuys, they often made use…
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