- In full:
- Meyer Howard Abrams
- Born:
- July 23, 1912, Long Branch, New Jersey, U.S.
- Died:
- April 21, 2015, Ithaca, New York (aged 102)
- Notable Works:
- “Doing Things With Texts”
- “Natural Supernaturalism”
- “The Correspondent Breeze”
- “The Fourth Dimension of a Poem, and Other Essays”
- “The Milk of Paradise: The Effects of Opium Visions on the Works of De Quincey, Crabbe, Francis Thompson, and Coleridge”
- “The Mirror and the Lamp: Romantic Theory and the Critical Tradition”
- Movement / Style:
- Romanticism
M.H. Abrams
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Who was M.H. Abrams?
Meyer Howard Abrams (1912–2015) was a highly influential American literary critic known for his groundbreaking analysis of the Romantic period in English literature.
Abrams's book, The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1953), distinguished four critical orientations for examining literary works: mimetic, pragmatic, expressive, and objective. His other works include Natural Supernaturalism (1971) and A Glossary of Literary Terms. He served as the general editor of The Norton Anthology of English Literature from 1962 to 2000 and received the National Humanities Medal in 2013.
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What is a literary critic?
A literary critic studies, discusses, interprets, and evaluates literature. Criticism can involve judging a literary work's quality or understanding the author's place in literary history. M.H. Abrams was an American literary critic who revolutionized the study of the Romantic period in English literature.
Abrams identified four critical orientations for examining literary works: mimetic, pragmatic, expressive, and objective. He was also the general editor of The Norton Anthology of English Literature from 1962 to 2000.
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What major books or works did M.H. Abrams write?
M.H. Abrams was an American literary critic known for his work on the Romantic period of English literature. His notable works include The Milk of Paradise: The Effects of Opium Visions on the Works of De Quincey, Crabbe, Francis Thompson, and Coleridge (1934), and The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1953), which explores 18th- and 19th-century English literature through metaphors. Abrams also wrote Natural Supernaturalism (1971), which investigates the religious implications and influence on modern literature of the Romantic sensibility, and The Correspondent Breeze (1984), a collection of critical essays on Romantic topics. Additionally, he served as general editor of The Norton Anthology of English Literature from 1962 to 2000.
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What is 'The Mirror and the Lamp,' and why is it important?
The Mirror and the Lamp: Romantic Theory and the Critical Tradition, written by M.H. Abrams, is a groundbreaking analysis of the Romantic period in English literature. Published in 1953, it originated as Abrams's Ph.D. dissertation and quickly established him as a leading scholar of Romantic literature.
The book's title highlights two metaphors that Abrams used to describe 18th- and 19th-century English literature. The "mirror" represents the 18th century's view of literature as a reflection of outward reality, while the "lamp" symbolizes the Romantics' focus on the artist's illumination of both inner and outer worlds. Abrams's introductory chapter is known for distinguishing four critical orientations: mimetic, pragmatic, expressive, and objective.
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How did M.H. Abrams help people understand Romanticism in literature?
M.H. Abrams transformed the study of English Romanticism through insightful analysis. In The Mirror and the Lamp: Romantic Theory and the Critical Tradition, Abrams defines two metaphors that characterize 18th- and 19th-century English literature. The first is a reflection of outward reality, and the second is an illumination of inner and outer worlds.
Abrams' Natural Supernaturalism (1971) explores the religious implications of Romantic sensibility and its impact on modern literature. Abrams also analyzed literary theory and criticism in Literature and Belief (1958) and In Search of Literary Theory (1972).
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In what ways did M.H. Abrams influence the study and teaching of literature?
M.H. Abrams significantly shaped literary studies through his scholarship and editorial work. His book, The Mirror and the Lamp (1953), revolutionized the study of the Romantic period by introducing four critical orientations for examining literary works: mimetic, pragmatic, expressive, and objective. As the general editor of The Norton Anthology of English Literature from 1962 to 2000, Abrams influenced the teaching of literature by shaping the selection of texts and critical approaches presented to students. His work analyzing literary theory and criticism also impacted the field.
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M.H. Abrams (born July 23, 1912, Long Branch, New Jersey, U.S.—died April 21, 2015, Ithaca, New York) was an American literary critic who revolutionized the study of the Romantic period in English literature through groundbreaking analysis. He also served as general editor (1962–2000) for the first seven editions of The Norton Anthology of English Literature.
Following his graduation from Harvard University in 1934, Abrams studied for a year at the University of Cambridge with I.A. Richards before returning to his alma mater to earn an M.A. (1937) and a Ph.D. (1940). In 1945 he joined the faculty of Cornell University, Ithaca, New York, where he became a full professor in 1953 and professor emeritus in 1983. His numerous and far-flung fellowships included positions at the University of Toronto, the University of California at Los Angeles, the University of British Columbia, and the University of Oxford.
Abrams wrote his first book, The Milk of Paradise: The Effects of Opium Visions on the Works of De Quincey, Crabbe, Francis Thompson, and Coleridge (1934), while an undergraduate. With his second work, The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1953), an expanded version of his Ph.D. dissertation, he joined the front rank of Romantic-literature scholars. The book’s title denotes the two metaphors by which Abrams characterized 18th- and 19th-century English literature, respectively—the former as a cool, intellectual reflection of outward reality and the latter as an illumination shed by artists upon their inner and outer worlds. Natural Supernaturalism (1971) explores a broader reach of the Romantic sensibility, including its religious implications and its influence on modern literature. Further critical essays by Abrams on Romantic topics were collected in The Correspondent Breeze (1984).
From his collections Literature and Belief (1958) and In Search of Literary Theory (1972) to his A Glossary of Literary Terms (1957; 8th ed., 2005), Abrams was consistently concerned with analyzing literary theory and criticism. His introductory chapter to The Mirror and the Lamp was influential in distinguishing four critical “orientations” by which literary works are examined: the mimetic, which sees artworks as imitating the world and human life; the pragmatic, which sees artworks in their achievement of effects on an audience; the expressive, which sees artworks primarily in relation to their producers; and the objective, which looks at the relationships between the parts of the artwork itself. Abrams participated in the debates surrounding literary deconstruction and humanistic criticism in the 1970s, collecting some of his essays on these and related subjects in Doing Things with Texts (1989). He was the general editor (1962–2000) of The Norton Anthology of English Literature before ceding the position to American scholar Stephen Greenblatt for the eighth edition, published in 2005. The Fourth Dimension of a Poem, and Other Essays (2012)—the title of which referred to the oral recitation of poetry—collected ruminations on poetic and literary interpretation. The volume was augmented by a series of recordings of Abrams reading poetry, accessible to the reader online. He was awarded the National Humanities Medal in 2013.