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Top Questions

What was Lily Allen’s first album?

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Lily Allen (born May 2, 1985, London, England) is an English singer-songwriter and actress who first gained attention in the 2000s with her unique blend of pop, ska, and reggae, distinctive voice (brandishing an unvarnished English accent), and candid lyrics. After she began posting mixtapes and demos on Myspace, she gained a significant fan base, leading to her first album, Alright, Still, in 2006. Allen’s debut single “Smile” reached number one on the U.K. singles chart and announced a witty new songwriter for the 21st century.

London childhood

Allen is the oldest of two children born to Alison Owen, a film producer, and Keith Allen, an actor, comedian, and documentary maker. Her father left the family when she was four, and her mother began a relationship with comedian and actor Harry Enfield, who served as Lily Allen’s common-law stepfather and a stabilizing influence for the next few years.

As a young child Allen began writing and singing songs while riding in the car with her mother, who taught her about rhyming couplets. Her first public performance came at the age of 12 when she sang “Baby Mine” from Dumbo at a school assembly. After seeing how much her performance moved the audience, she knew that singing would be her future.

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Allen dropped out of school when she was 15 after having attended 13 different schools, many of which she had been expelled from for drinking and smoking. In a 2024 interview with the BBC podcast This Cultural Life, she said she had often struggled with paying attention in classes and noted, “I didn’t really understand the point of [school]. I think maybe because I’d been [around] the creative industries, and it didn’t really seem like you needed an education to do those things.” She spent the next couple years working odd jobs while sending her music demos to record labels.

Social media music star: Alright, Still and “Smile”

In 2002, at age 17, Allen signed a record deal, orchestrated by her father, with London Records. However, after recording a few folk songs that had been written for her, and which she deemed unsuitable for her style, she left the label. Although she moved on to EMI in 2005, her music got lost in the shuffle of the label’s high-priority stars such as Coldplay. Allen then created a Myspace account to post her mixtapes and demos, hoping to build her own following. It worked. Soon her music was being played on BBC Radio 1, and Allen was featured in the Observer Music Monthly, which hailed her as “funny and gratuitous.”

Indeed, with clever, dishy songs about her ex-boyfriends, would-be suitors, family, and everyday life, Allen’s debut, Alright, Still, reached number two on the U.K. albums chart. Four of its songs landed on the U.K. singles chart: “Smile,” “LDN,” “Alfie” (an ode to her brother), and “Littlest Things.” Alright, Still also made a splash in the United States, earning her a Grammy nomination for best alternative music album and solidifying Allen’s reputation as one of the United Kingdom’s most exciting new artists.

It’s Not Me, It’s You, Sheezus, and No Shame

Allen’s sophomore album, It’s Not Me, It’s You (2009), shifted toward electropop and faux-jazz sounds, with lyrics touching on such topics as drug use, politics (the chirpy “F*** You” was directed at U.S. Pres. George W. Bush), religion, and family conflicts. The record went to number one in Britain, as did “The Fear,” a satire on fame as told by a girl who was clearly not Allen: “I wanna be rich, and I want lots of money / I don’t care about clever, I don’t care about funny.” Another standout track was “Not Fair,” in which Allen bemoaned the dilemma of having a perfect boyfriend who leaves her unsatisfied behind closed doors.

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Over the next decade and a half Allen continued to evolve stylistically and lyrically, moving from pop culture commentary to more emotionally revealing narratives about marital breakdowns, motherhood, and personal identity crises. Indeed, she had plenty of life experiences to write about. She hosted a BBC talk show in 2008, became a target of the tabloids after a miscarriage with boyfriend Ed Simons of the Chemical Brothers, and married property developer Sam Cooper in 2011 (they had two children before divorcing in 2018). Between 2011 and 2014 she ran her own record label, In the Name Of, an imprint of Sony.

Allen’s transition to more intimate and confessional lyrics took some time, however. Her third album, Sheezus (2014), saw her trolling her fellow music artists, including rapper Kanye West (Sheezus is a riff on his Yeezus). The single “Hard out Here” takes shots at sexism in the music industry, with a music video that mocks Robin Thicke’s controversial hit “Blurred Lines.” But the video’s depiction of Black women twerking drew criticism for what some viewed as racism and cultural appropriation. Allen’s barbs about other female musicians on the title track were also criticized. A reviewer for Pitchfork wrote, “There’s a fine line between using irony to make a cutting point and using it as a protective coating to hide the fact that you’re not sure exactly what you’re trying to say.”

But one year after Sheezus, Allen recorded “Something’s Not Right,” an intimate ballad about her and Cooper’s stillborn son, for the movie Pan. Similarly, on her next album, No Shame (2018), she focused on her personal life, including the end of her marriage, and garnered raves from critics who considered her latest release a gutsy return to form. Allen capped off the year by publishing her memoir, My Thoughts Exactly.

Acting career

Allen next turned to acting, portraying Hollywood legend Elizabeth Taylor in the film How to Build a Girl (2019). In 2021 she made her stage acting debut in 2:22: A Ghost Story at the Noël Coward Theatre in London’s West End. Allen played a mother who is convinced her family’s new house is haunted. Her performance won her a WhatsOnStage Award. Allen also appeared in the television series Dreamland (2023) and acted in a London revival of Martin McDonagh’s black comedy The Pillowman (2023) and a Bath production of Hedda (2025), a contemporary adaptation of Henrik Ibsen’s Hedda Gabler. In the meantime, Allen married Stranger Things star David Harbour in 2020 and settled into a life with him in Brooklyn.

West End Girl

In 2025, shortly after a high-profile split with Harbour, Allen returned to music, releasing the album West End Girl. A hit on the British charts, it was considered her best album to date by many critics. Variety called it a contender for album of the year, and Rolling Stone described it as “an odyssey of betrayal and heartbreak, an investigation of the way we perceive ourselves and the people we wake up next to every morning, and a litmus test for how honest we’re allowed to be in art and life.” Notably, Allen’s songs discussed her open marriage with Harbour and its emotional fallout, although she cautioned listeners against taking her lyrics too literally. She told Vogue, “There are things that are on the record that I experienced within my marriage, but that’s not to say that it’s all gospel.”

In 2026 she planned a world tour to promote West End Girl. She also had the honor of seeing the cover art of her album, a striking painting of her by Spanish artist Nieves González, go on display in London’s National Portrait Gallery.