Lee Daniels

Lee Daniels (born December 24, 1959, Philadelphia, Pennsylvania, U.S.) is an American director and producer whose films and television shows often tackle difficult subjects and focus on African American experiences. Daniels first made a name for himself as the producer of Monster’s Ball (2001), and he later produced and directed such movies as Precious: Based on the Novel “Push” by Sapphire (2009) and Lee Daniels’ The Butler (2013). He also cocreated the TV show Empire (2015–20).

Early life

Daniels was born in Philadelphia to Clara (née Watson) Daniels and William Daniels, a police officer. While growing up, he was physically abused by his father for being gay. When he was 15 his father was fatally shot during a robbery. He later attended Lindenwood College (now Lindenwood University) in St. Charles, Missouri, before moving to Los Angeles, where he hoped to pursue a career in the film industry.

In the meantime, Daniels worked in the health care field, eventually becoming the owner of a nursing agency that primarily served AIDS patients. He later sold the business for a reported $3 million. Daniels then began working as an assistant to a casting director, and he later became a manager for such actors as Wes Bentley and Morgan Freeman. Unhappy with the quality of projects offered to his clients, he created Lee Daniels Entertainment, a production company, in 2001.

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Monster’s Ball and Precious

Daniels’s first attempt at producing was the film Monster’s Ball (2001), which many big names in Hollywood had turned down. He threw himself into the project, turning the story of a biracial romance and racial discord into an award-winning film. Halle Berry received an Oscar for her performance as a death-row inmate’s wife who, after his execution, begins a relationship with one of the prison guards (played by Billy Bob Thornton). Daniels then produced The Woodsman (2004), a drama about a pedophile (Kevin Bacon) following his release from prison. It was a critical success, though not a box-office hit.

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In 2005 Daniels made his directorial debut with Shadowboxer, a story of organized crime and interracial relationships. The movie, which starred Helen Mirren and Cuba Gooding, Jr., was panned by critics. Four years later Daniels directed Precious. Adapted from the novel Push by Sapphire, it tells an unsparing yet tender story of a pregnant Harlem teenager (Gabourey Sidibe) who is a victim of parental abuse. The movie won numerous awards, and Mo’Nique, who played a mother addicted to crack, received the Academy Award for best supporting actress. In addition, Daniels earned an Oscar nomination for best director. He also served as one of the film’s producers—as he did for most of his projects—and the stress of making Precious is thought to have contributed to the heart attack he suffered after filming was completed.

The Butler and Empire

Daniels returned to the director’s chair with The Paperboy (2012), an adaption of a novel by Peter Dexter, who wrote the script with Daniels. The pulp drama centers on the murder of a sheriff in 1960s Florida. The cast included Matthew McConaughey, Nicole Kidman, and Zac Efron.

In 2013 Daniels helmed the critically acclaimed biopic Lee Daniels’ The Butler, which was inspired by the life of Eugene Allen, an African American man who had worked at the White House for more than 30 years. The movie introduces a fictionalized version of Allen and traces major events that occur during his tenure, especially those pertaining to civil rights. Forest Whitaker starred in the title role, and other members of the cast include Oprah Winfrey, Jane Fonda, Robin Williams, and Mariah Carey.

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Daniels subsequently took a break from film to focus on television. He cocreated Empire (2015–20), a musical drama about a hip-hop mogul and his family. The series also touched on homophobia, which was inspired by Daniels’s own life. Empire was hugely popular—its success helped make Taraji P. Henson a star—and it led to the spin-off series Star (2016–19), which Daniels also cocreated. That show centers on an aspiring musical trio of women.

In 2021 Daniels returned to directing feature films with The United States vs. Billie Holiday. A biopic about the legendary jazz singer, it focuses on Holiday’s later years, including her drug addiction and persecution by the U.S. government. He then made a foray into horror with The Deliverance (2024), in which an alcoholic single mother struggles with her own demons as well as actual demons that possess her family’s new home.