âŠhis multilayered, often metafictional novels, Lars Gustafsson railed against Swedenâs bureaucratic welfare society, which, he complained, stifled the unique in the name of egalitarianism. He is best known for his partially autobiographical Sprickorna i muren (1971â78; âThe Cracks in the Wallâ), called by some his Divine Comedy for its richnessâŠ
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