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Karel van de Woestijne (born March 10, 1878, Ghent, Belg.—died Aug. 24, 1929, Zwijnaarde) was a Flemish poet whose body of work constitutes a symbolic autobiography.

Van de Woestijne studied Germanic philology. He worked as a journalist and government official in Brussels (1907–20) and as a professor of literature at Ghent from 1920 until his death. His poetry stems from the neo-Romantic and Symbolist tradition, but his style evolved from sensualist and melancholic to more ascetic and contemplative. His early, subjective poetry includes Het vaderhuis (1903; “The Father House”), about his childhood; De boomgaard der vogelen en der vruchten (1905; “The Orchard of Birds and Fruit”), on his youth and courtship; and De gulden schaduw (1910; “The Golden Shadow”), on his marriage and fatherhood.

The tormented awareness of the conflict between sense and spirit, inherent in all his works, reaches a bitter climax in De modderen man (1920; “The Man of Mud”) and still resonates in the more subdued Het berg-meer (1928; “The Mountain Lake”). His poetry—powerfully conveying the spirit’s longing for liberation from the compulsive desires of the flesh—ranks among the finest achievements of European Symbolism.

Illustration of "The Lamb" from "Songs of Innocence" by William Blake, 1879. poem; poetry
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