Britannica AI Icon
Adding us as a Preferred Source tells Google you trust our content, so our articles show up more often in your Google Search, Discover feed, and AI Overviews.
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies. Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

External Websites

Kaƍ Ninga (flourished 14th century, Japan) was an artist who painted some of the earliest Japanese suiboku works—a Chinese-inspired style of monochromatic ink painting favoured by Zen Buddhist priest-painters. His portrait of Kanzan, a mythical figure who represents the Zen way of life, and the techniques used in the portrait (strong abbreviated outlines that contrast with soft washes, asymmetrical composition, and significant empty space) foreshadow those of the suiboku school, which flourished in the 15th and 16th centuries.

There has been much confusion about the identity of Kaƍ, whose name appears on the portrait of Kanzan and on other early suiboku-ga. Some believe that Kaƍ was a high-ranking Zen priest named Kaƍ Sƍnen; others have identified him as the painter Ryƍzen, though the latter suggestion has been largely discounted on stylistic grounds. Still others have suggested that he was another professional Buddhist painter associated with the Takuma school. Whatever Kaƍ’s true identity, his work, along with that of Mokuan, a Japanese priest-painter of the early 14th century, constitutes the foundation of ink painting in Japan.

This article was most recently revised and updated by Encyclopaedia Britannica.
Discover the fascinating events that shaped the world, straight from our editors.
By clicking “Sign Up”, you consent to the Britannica Privacy Policy and Terms of Use.