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Julius Gipkens was a German designer known for his work in the Plakatstil (Poster Style) movement of the early 20th century. This style emphasized a simplified visual language using basic shapes and flat colors.1

Gipkens, along with other designers like Lucian Bernhard and Julius Klinger, contributed to this movement, which focused on reducing product imagery to elemental, symbolic forms against a plain background. His work, such as a 1917 poster for an exhibition of captured Allied aircraft, exemplified this approach by using signs and symbols reduced to flat color planes within a unified composition. This contrasted with the more naturalistic and narrative styles often seen in Allied propaganda posters of the same era.1

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