- Born:
- December 8, 1990, Warsaw, Poland (age 35)
Jakub Józef Orliński
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Who is Jakub Józef Orliński?
Jakub Józef Orliński, born December 8, 1990, is a Polish countertenor celebrated for his interpretations of Baroque music. Before international recognition, Orliński was part of the Skill Fanatikz Crew break dancing group. He studied at the Fryderyk Chopin University of Music in Warsaw and the Juilliard School in New York City.
Orliński's career took off after a video of him singing Vivaldi went viral, leading to performances such as the title role in Handel’s Rinaldo at Oper Frankfurt and solo recitals at Wigmore Hall and Carnegie Hall. His discography includes Anima sacra (2018), Facce d’amore (2019), and Anima aeterna (2021).
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What does it mean to be a countertenor singer?
A countertenor is an adult male singer with an alto range, either natural or falsetto, with the term generally referring to a falsetto alto rather than a high tenor in England. The solo countertenor voice has been successfully revived, and is principally associated with the performance of Renaissance and Baroque music, though modern composers have written for it.
Jakub Józef Orliński (born in Warsaw, Poland, December 8, 1990) is a Polish countertenor known for his interpretations of Baroque pieces. At the age of eight, Orliński joined an all-male Gregorian choir, where he sang the boy-alto parts.
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Where is Jakub Józef Orliński from?
Jakub Józef Orliński, a Polish countertenor celebrated for his captivating voice and Baroque interpretations, was born in Warsaw, Poland, on December 8, 1990. He began singing in an all-male Gregorian choir at the age of eight. Orliński studied at the Fryderyk Chopin University of Music in Warsaw and later at the Juilliard School in New York City. His rise to international fame followed a viral video from the Aix-en-Provence Festival in France.
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What kind of music does Jakub Józef Orliński perform?
Jakub Józef Orliński, born December 8, 1990, is a Polish countertenor celebrated for his interpretations of Baroque pieces. A countertenor is an adult male alto voice, either natural or falsetto. Orliński's albums, Anima Sacra (2018), Facce d’amore (2019), and Anima aeterna (2021), feature relatively unknown Baroque pieces.
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What makes Jakub Józef Orliński's singing style special or unique?
Jakub Józef Orliński, a Polish countertenor, is known for his "angelic voice" and his tasteful interpretations of Baroque pieces. His unique appeal extends beyond his vocal talent; his background as a break dancer, active social media presence, and good looks have drawn a younger audience to the opera world. Orliński's selection of relatively unknown Baroque pieces, often transcribed by his friend Yannis François, further distinguishes his style. This blend of vocal skill, personal interests, and musical curation contributes to his unique and appealing presence in contemporary opera.
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How has Jakub Józef Orliński influenced classical and opera music today?
Jakub Józef Orliński, a Polish countertenor born in 1990, is known for his interpretations of Baroque pieces and his "angelic voice". Orliński's presence has drawn younger audiences to opera because of his break dancing, social media activity, and good looks. A viral video of Orliński singing Vivaldi gained millions of views, which propelled him to international fame.
Orliński's debut album, Anima sacra (2018), features relatively unknown Baroque pieces. His subsequent albums, Facce d’amore (2019) and Anima aeterna (2021), include transcriptions of Baroque pieces. The countertenor voice, which had lost favor in Europe during the 18th century, was revived in the 20th century and is now associated with Renaissance and Baroque music.
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Jakub Józef Orliński (born December 8, 1990, Warsaw, Poland) is a Polish countertenor known for his angelic voice and tasteful interpretations of Baroque pieces. His penchant for break dancing, his active social media presence, and his classically good looks amused the opera world and attracted the attention of a younger audience.
Born to a middle-class artistic family, Orliński was the son of an artist mother and graphic designer father, with architect grandparents on both sides. At the age of eight he joined an all-male Gregorian choir, where he sang the boy-alto parts. He later became a semiprofessional skateboarder and joined a prizewinning break dancing group called the Skill Fanatikz Crew. At 16 years old Orliński began to sing the bass-baritone in his choir. Shortly after, however, he was convinced to sing falsetto when the men’s ensemble he and some of his fellow choir members had formed required two countertenors for a set of Renaissance chants.
Orliński continued to sing countertenor when he entered the Fryderyk Chopin University of Music in Warsaw (2009). He studied under mezzo-soprano Anna Radziejewska and wrote on Baroque ornamentation for his master’s thesis (2014). Orliński also performed throughout Poland and Germany, singing such roles as Cupid in John Blow’s 1680–85 opera Venus and Adonis (2013) and Ruggiero in George Frideric Handel’s 1735 opera Alcina (2014). In 2015 he moved to New York City to study under soprano Edith Wiens at the Juilliard School. While pursuing his second graduate degree (2017), he performed such roles as the refugee in Jonathan Dove’s 1998 opera Flight (2016) and Ottone in Handel’s 1710 opera Agrippina (2017). In 2016 he was named one of the five winners of the Metropolitan Opera’s National Council Auditions, a prestigious contest for young vocalists. This came a year after he won first prize in the Marcella Sembrich competition.
In 2017 Orliński made his debut at the Aix-en-Provence Festival, France, in the role of Orimeno in Francesco Cavalli’s 1655 opera Erismena. During the festival he sang “Vedrò con mio diletto,” an aria from Antonio Vivaldi’s 1724 opera Il Giustino on France Musique, the French national public radio station. Filling in for a last-minute cancellation and unaware that the concert would be livestreamed on Facebook, Orliński sang in casual attire, and it was perhaps the contrast between his disheveled appearance and his unearthly voice that garnered the video millions of views on Facebook and YouTube. He was immediately propelled to international stardom.
After the viral video Orliński sang the title role of Handel’s 1711 opera Rinaldo at Oper Frankfurt, Germany (2017), and at the Glyndebourne Festival, England (2019), and he performed solo recitals at Wigmore Hall, London (2018), and at Carnegie Hall, New York City (2019). In 2018 he released his debut album, Anima sacra, which features the orchestra Il Pomo d’Oro. For the recording, Orliński selected a number of relatively unknown Baroque pieces that his friend and collaborator, Yannis François, had transcribed. Orliński’s subsequent albums, Facce d’amore (2019) and Anima aeterna (2021), again include Il Pomo d’Oro and additional recordings of François’s transcriptions of Baroque pieces. Although a few of Orliński’s 2020 performances were postponed because of the coronavirus pandemic, he was back onstage in 2021. That year he debuted at the Metropolitan Opera, New York City, in a production of Eurydice, and in 2022 he portrayed Didymus in a contemporary adaptation of Handel’s Theodora at the Royal Opera House, London.