Ira D. Sankey
Learn about this topic in these articles:
gospel musicWhite gospel musicMoody and his musical collaborator Ira D. Sankey. Together, Moody and Sankey employed the Sunday-school hymns and new gospel compositions in their church services as major instruments of edification and conversion, thus playing a critical role in the establishment of gospel music as a legitimate means of ministry.
Read MoreMoody and his musical collaborator Ira D. Sankey. Together, Moody and Sankey employed the Sunday-school hymns and new gospel compositions in their church services as major instruments of edification and conversion, thus playing a critical role in the establishment of gospel music as a legitimate means of ministry.
Read More
Dwight L. MoodyIn 1870 he met Ira D. Sankey, a hymn writer, and with him became noted for contributing to the growth of the “gospel hymn.” They made extended evangelical tours in Great Britain (1873–75, 1881–84). Moody shunned divisive sectarian doctrines, deplored “higher criticism” of the Bible, the Social Gospel movement,…
Read MoreIn 1870 he met Ira D. Sankey, a hymn writer, and with him became noted for contributing to the growth of the “gospel hymn.” They made extended evangelical tours in Great Britain (1873–75, 1881–84). Moody shunned divisive sectarian doctrines, deplored “higher criticism” of the Bible, the Social Gospel movement,…
Read More