âŠthe work of Nicholasâ follower Hugo dâOignies, whose reliquary for the rib of St. Peter at Namur (1228) foreshadows the partly crystal reliquaries in which the freestanding relic is exposed to the view of the faithful; it is decorated with Hugoâs particularly fine filigree and enriched by naturalistic cutout leavesâŠ
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