How did Henri de Toulouse-Lautrec show movement differently from Edgar Degas?

Henri de Toulouse-Lautrec and Edgar Degas both sought to capture movement in their work, but they employed distinct techniques to achieve this effect.1

Degas expressed movement by carefully rendering the anatomical structure of several closely grouped figures, effectively depicting a single subject caught at successive moments in time. His approach was rooted in meticulous planning and a deep understanding of human form.12

In contrast, Toulouse-Lautrec utilized more abstract and expressive methods:

• Line and Color: He used freely handled lines and intense, juxtaposed colors to create a pulsating rhythm that conveyed the idea of movement.1
• Formal Abstraction: He often violated the laws of perspective to place figures in unstable, active relationships with their surroundings.1
• Essential Movement: A common device of his was to compose figures with their legs obscured. This technique eliminated specific, literal movement, replacing it with the "essence" of movement.1

Ultimately, while Degas focused on anatomical precision to suggest temporal progression, Toulouse-Lautrec relied on formal abstraction and energy to evoke the feeling of life in motion.1