Henry Fonda

Henry Fonda (born May 16, 1905, Grand Island, Nebraska, U.S.—died August 12, 1982, Los Angeles, California) was an American stage and film actor who appeared in more than 90 films over six decades and created quintessential American heroes known for their integrity.

Early life and career

Fonda grew up in Omaha, Nebraska, and the surrounding area. He studied journalism at the University of Minnesota but returned home during his sophomore year. He began acting at the Omaha Community Playhouse at the behest of Marlon Brando’s mother, Dorothy, a Playhouse cofounder. In 1928 Fonda moved to the East Coast to pursue his acting career. He soon joined the University Players Guild, a small summer-stock theatre troupe in Falmouth, Massachusetts, where he met, among others, Joshua Logan, Jimmy Stewart, and Margaret Sullavan, who became the first of his five wives.

Fonda made his Broadway debut in 1929, with a small part in The Game of Love and Death. Other stage appearances followed, and in 1934 he played his first leading role on Broadway in The Farmer Takes a Wife. He reprised the role in his movie debut the next year. In 1936 Fonda married socialite Frances Ford Seymour Brokaw, and the couple had two children, Jane Fonda and Peter Fonda, both of whom became noted actors. Frances Fonda later died by suicide.

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Stardom: The Grapes of Wrath, Mister Roberts, and 12 Angry Men

Trained on the stage to project his voice, Fonda quickly adapted to film by underplaying his roles, which gave him a quietly intense screen persona. This reserved approach prevented him from becoming a romantic screen idol, although his good looks and adaptable presence made him a successful leading man in the period drama Jezebel (1938), with Bette Davis, and the romantic comedies The Lady Eve (1941), with Barbara Stanwyck, and The Big Street (1942), with Lucille Ball.

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During this time, Fonda began appearing in movies directed by John Ford, and their collaborations produced a number of classic films that established Fonda as a star. He portrayed a gallery of populist American icons, including the gentle, modest Abraham Lincoln in Young Mr. Lincoln (1939) and the dispossessed farmer and ex-convict Tom Joad in The Grapes of Wrath (1940), an adaptation of John Steinbeck’s novel. The latter role earned Fonda particular praise and his first Academy Award nomination. He also appeared in Ford’s classic westerns My Darling Clementine (1946), playing the legendary sheriff Wyatt Earp, and Fort Apache (1948), in which he starred as the inflexible Lieut. Col. Owen Thursday, a character modeled on George Armstrong Custer.

Although the typical Fonda character frequently moves in a world of men—the American West, the army, the navy—he is less a man of action than one of quiet thought. In films such as The Ox-Bow Incident (1943), his characters embody the voice of conscience and reason. Their integrity and decency, rather than physical strength or athletic grace and exuberance, provide the impetus for their heroism.

After serving in the U.S. Navy during World War II, Fonda starred in several films before making a triumphant return to Broadway in the title role of Mister Roberts (1948–51). He played an idealistic officer on a cargo ship whose attempts to transfer are thwarted by a tyrannical captain. For his performance, Fonda won a Tony Award. He then starred in two more successful Broadway productions—Point of No Return (1951–52) and The Caine Mutiny Court-Martial (1954–55)—before making the screen version of Mister Roberts (1955). Ford was the initial director on the comedy, but he was replaced by Mervyn LeRoy, in part because of arguments with Fonda over plot elements. The film was a huge success, and the role became one of Fonda’s most iconic. He created another quintessential character in Sidney Lumet’s 12 Angry Men (1957). In the courtroom drama, Fonda played Juror 8, a lone holdout who tries to convince the rest of the jury that the defendant might be innocent. Fonda, a producer of the film, received his second Oscar nomination when it was nominated for best picture.

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Later work

Fonda continued to alternate between Broadway and Hollywood and appeared occasionally on television. On the stage he gave acclaimed performances as a Nebraska lawyer involved with a young woman from the Bronx in Two for the Seesaw (1958), as Clarence Darrow in an eponymous one-man show (1974), and as a U.S. Supreme Court justice in First Monday in October (1978). His other notable film roles included those of an innocent man on trial for robbery in Alfred Hitchcock’s The Wrong Man (1956), an American president in Fail-Safe (1964), a villain (a rare role for Fonda) in Sergio Leone’s Once upon a Time in the West (1968), and a bit part in Wanda Nevada (1979), directed by and starring his son, Peter. In 1981 Fonda appeared in his last feature film, On Golden Pond, playing a cantankerous husband and father during what may be his final summer. The dramedy costarred Katharine Hepburn and Jane Fonda and was a critical and commercial success. For the role, Henry finally won an Academy Award as best actor. Also in 1981 he costarred with Myrna Loy in the TV movie Summer Solstice.

Fonda was the recipient of numerous honours. In 1978 the American Film Institute presented him with its Life Achievement Award, and in 1981 he received an honorary Academy Award “in recognition of his brilliant accomplishments and enduring contribution to the art of motion pictures.” Fonda published his memoirs, Fonda: My Life (cowritten with Howard Teichmann), in 1981.