- Wade-Giles romanization:
- Kuo Mo-jo
- Original name:
- Guo Kaizhen
- Born:
- November 1892, Shawan, Leshan county, Sichuan province, China
- Died:
- June 12, 1978, Beijing (aged 85)
Guo Moruo
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Who was Guo Moruo?
Guo Moruo (1892–1978) was a prominent Chinese scholar and writer of the 20th century who also held significant government roles. Guo's early works included emotional free verse, and he co-founded the Creation Society, an important literary society during the May Fourth period in China. He embraced Marxism and advocated for socialist literature. After Chiang Kai-shek purged communists, Guo fled to Japan and researched Chinese antiquities. He returned to China in 1937 to participate in the resistance against Japan and held important government posts. Guo was a prolific writer of poetry, fiction, plays, autobiographies, translations, and historical and philosophical treatises. After 1949, he held high-ranking positions in the People’s Republic of China.
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What fields did Guo Moruo work in?
Guo Moruo was a Chinese scholar, writer, and government official. He was a prolific writer in every genre, including poetry, fiction, plays, autobiographies, and translations of Western authors. Guo also produced historical and philosophical treatises, including studies of inscriptions on oracle bones and bronze vessels. After 1949, he held many important positions in the People’s Republic of China, including the presidency of the Chinese Academy of Sciences.
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What are some of Guo Moruo's most famous works?
Guo Moruo, a prominent 20th-century Chinese writer and government official, is renowned for his prolific and diverse literary contributions. His notable works include the anthology Nü shen (1921; “Goddess”), which marked a cornerstone in the development of new verse in China. Additionally, his translation of Goethe’s Sorrows of Young Werther gained immense popularity among Chinese youth. Guo's extensive body of work also encompasses plays, autobiographical volumes, translations of Western authors, and historical and philosophical treatises, such as Liangzhou jinwenci daxi tulu kaoshi (1935; new ed. 1957; “Corpus of Inscriptions on Bronzes from the Two Zhou Dynasties”).
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How did Guo Moruo influence Chinese literature and history?
Guo Moruo (1892–1978) was a leading Chinese writer and scholar who significantly influenced 20th-century Chinese literature and historical studies. His early poetry, compiled in Nü shen (1921; “Goddess”), helped lay the foundation for new verse in China. As a co-founder of the Creation Society, he promoted modern literature during the May Fourth period. Guo's translation of Goethe’s Sorrows of Young Werther also gained popularity among Chinese youth.
Guo embraced Marxism and called for a socialist literature. His historical and philosophical treatises, such as Liangzhou jinwenci daxi tulu kaoshi (1935), reflect his attempt to apply communist doctrine to the study of ancient China. After 1949, he held high-ranking positions in the People’s Republic of China, including the presidency of the Chinese Academy of Sciences.
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What role did politics play in Guo Moruo's career?
Guo Moruo's career was deeply intertwined with politics. He embraced Marxism and, after Chiang Kai-shek's purge of communists in 1927, participated in the Nanchang uprising. After fleeing to Japan, he returned to China in 1937 to join the resistance against Japan, which led to important government posts. After 1949, he held high-ranking positions in the People’s Republic of China, such as the presidency of the Chinese Academy of Sciences. During the Cultural Revolution in 1966, he was attacked and confessed to not understanding Mao Zedong's ideology, but he was not removed from his posts.
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How is Guo Moruo remembered in modern China?
Guo Moruo (1892–1978) is remembered as a significant figure in 20th-century Chinese literature and politics. As a writer, he was incredibly prolific, contributing to poetry, fiction, plays, and autobiography, and producing historical and philosophical treatises. After 1949, he held high-ranking positions in the People’s Republic of China, including the presidency of the Chinese Academy of Sciences. Despite being attacked during the Cultural Revolution and confessing to failing to understand Mao Zedong’s thought, he was not stripped of his official positions. His vast body of work was compiled into The Complete Works of Guo Moruo.
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Guo Moruo (born November 1892, Shawan, Leshan county, Sichuan province, China—died June 12, 1978, Beijing) was a Chinese scholar, one of the leading writers of 20th-century China, and an important government official.
The son of a wealthy merchant, Guo Moruo early manifested a stormy, unbridled temperament. After receiving a traditional education, he in 1913 abandoned his Chinese wife from an arranged marriage and went to Japan to study medicine. There he fell in love with a Japanese woman who became his common-law wife. He began to devote himself to the study of foreign languages and literature, reading works by Spinoza, Goethe, the Bengali poet Rabindranath Tagore, and Walt Whitman. His own early poetry was highly emotional free verse reminiscent of Whitman and Percy Bysshe Shelley. The new-style poems that Guo published in Shishi xinbao (“New Journal on Current Affairs”) were later compiled into the anthology Nü shen (1921; “Goddess”). Its publication laid the first cornerstone for the development of new verse in China. In the same year, Guo, together with Cheng Fangwu, Yu Dafu, and Zhang Ziping, gave impetus to the establishment of the Creation Society, one of the most important literary societies during the May Fourth period in China. Guo’s translation of Goethe’s Sorrows of Young Werther gained enormous popularity among Chinese youth soon after its publication in 1922. He became interested in the philosophy of the Japanese Marxist Kawakami Hajime, one of whose books he translated in 1924, and Guo soon embraced Marxism. Although his own writing remained tinged with Romanticism, he declared his rejection of individualistic literature, calling for a “socialist literature that is sympathetic toward the proletariat.”
Guo returned to China with his wife in 1923. In 1926 he acted as a political commissar in the Northern Expedition, in which Chiang Kai-shek (Jiang Jieshi) attempted to crush the warlords and unify China. But when Chiang purged the communists from his Kuomintang (Nationalist Party) in 1927, Guo participated in the communist Nanchang uprising. After its failure he fled to Japan, where for 10 years he pursued scholarly research on Chinese antiquities. In 1937 he returned to China to take part in the resistance against Japan and was given important government posts.
As a writer, Guo was enormously prolific in every genre. Besides his poetry and fiction, his works include plays, nine autobiographical volumes, and numerous translations of the works of Goethe, Friedrich von Schiller, Ivan Turgenev, Tolstoy, Upton Sinclair, and other Western authors. He also produced historical and philosophical treatises, including his monumental study of inscriptions on oracle bones and bronze vessels, Liangzhou jinwenci daxi tulu kaoshi (1935; new ed. 1957; “Corpus of Inscriptions on Bronzes from the Two Zhou Dynasties”). In this work he attempted to demonstrate, according to communist doctrine, the “slave society” nature of ancient China.
After 1949 Guo held many important positions in the People’s Republic of China, including the presidency of the Chinese Academy of Sciences. In 1966 he was one of the first to be attacked in the Cultural Revolution. He confessed that he had failed to understand properly the thought of Chinese Communist Party leader Mao Zedong and stated that all his own work should be burned. Strangely, however, Guo was not, as were many of his colleagues, stripped of all official positions. His vast body of work was compiled into Guo Moruo quanji, 38 vol. (1982–2002)“The Complete Works of Guo Moruo”). It is divided into three parts: literature, history, and archaeology.