- In full:
- Eldred Gregory Peck
- Born:
- April 5, 1916, La Jolla, California, U.S.
- Died:
- June 12, 2003, Los Angeles, California (aged 87)
- Awards And Honors:
- Kennedy Center Honors (1991)
- Academy Award (1963)
- Academy Award (1963): Actor in a Leading Role
- Cecil B. DeMille Award (1969)
- Golden Globe Award (1999): Best Supporting Actor in a Series, Limited Series, or Motion Picture Made for Television
- Golden Globe Award (1963): Best Actor in a Motion Picture - Drama
- Golden Globe Award (1955): World Film Favorites
- Golden Globe Award (1951): World Film Favorites
- Golden Globe Award (1947): Best Actor in a Leading Role
- Jean Hersholt Humanitarian Award (1968)
- Married To:
- Greta Kukkonen (1942–1955)
- Veronique Peck (married 1955)
- Movies/Tv Shows (Acted In):
- "Twelve O'Clock High" (1949)
- "Duel in the Sun" (1946)
- "Shoot Out" (1971)
- "MacArthur" (1977)
- "The Sea Wolves" (1980)
- "Cape Fear" (1962)
- "The World in His Arms" (1952)
- "Roman Holiday" (1953)
- "The Boys from Brazil" (1978)
- "Moby Dick" (1998)
- "Night People" (1954)
- "How the West Was Won" (1962)
- "Mirage" (1965)
- "Old Gringo" (1989)
- "The Bravados" (1958)
- "Yellow Sky" (1948)
- "The Snows of Kilimanjaro" (1952)
- "Behold a Pale Horse" (1964)
- "Spellbound" (1945)
- "Captain Newman, M.D." (1963)
- "The Valley of Decision" (1945)
- "Boum sur Paris" (1953)
- "Cape Fear" (1991)
- "Captain Horatio Hornblower R.N." (1951)
- "Billy Two Hats" (1974)
- "Amazing Grace and Chuck" (1987)
- "The Purple Plain" (1954)
- "The Great Sinner" (1949)
- "Joseph Smith: American Prophet" (2017)
- "The Big Country" (1958)
- "Days of Glory" (1944)
- "The Gunfighter" (1950)
- "The Blue and the Gray" (1982)
- "The Paradine Case" (1947)
- "Pork Chop Hill" (1959)
- "Arabesque" (1966)
- "Mackenna's Gold" (1969)
- "Marooned" (1969)
- "The Million Pound Note" (1954)
- "Beloved Infidel" (1959)
- "Only the Valiant" (1951)
- "To Kill a Mockingbird" (1962)
- "The Omen" (1976)
- "The Chairman" (1969)
- "David and Bathsheba" (1951)
- "The Keys of the Kingdom" (1944)
- "Gentleman's Agreement" (1947)
- "The Yearling" (1946)
- "On the Beach" (1959)
- "Moby Dick" (1956)
- "Other People's Money" (1991)
- "The Guns of Navarone" (1961)
- "The Man in the Gray Flannel Suit" (1956)
- "The Stalking Moon" (1968)
- "Designing Woman" (1957)
- "The Macomber Affair" (1947)
- "I Walk the Line" (1970)
- On the Web:
- Official Site of Gregory Peck (Oct. 24, 2026)
Gregory Peck
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Who was Gregory Peck?
Gregory Peck (1916–2003) was an imposing American actor known for portraying characters with honesty and integrity. After developing a taste for acting at the University of California at Berkeley, he debuted on Broadway in 1942 and in Hollywood in 1944 in Days of Glory.
Due to a previous spinal injury, Peck was unable to serve in WWII, which enabled him to become a leading man in the 1940s. He received his first Academy Award nomination for his role in The Keys of the Kingdom (1944). In 1963, Peck won an Academy Award for his role as Atticus Finch in To Kill a Mockingbird (1962).
2 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
What kind of work did Gregory Peck do as an actor?
Gregory Peck was an American actor known for his tall, imposing presence and deep, mellow voice. He often portrayed characters with honesty and integrity.
Peck's notable roles include an idealistic missionary priest in The Keys of the Kingdom (1944), a journalist exposing anti-Semitism in Gentleman’s Agreement (1947), and the ethical lawyer Atticus Finch in To Kill a Mockingbird (1962), for which he won an Academy Award. He also played outwardly strong individuals with inner flaws in films like Twelve O’Clock High (1949) and The Gunfighter (1950).
2 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
Which movie roles made Gregory Peck famous?
Gregory Peck, known for portraying characters with honesty and integrity, gained fame through several notable roles. His early popular films include The Keys of the Kingdom (1944), The Valley of Decision (1945), Spellbound (1945), Duel in the Sun (1946), The Yearling (1946), and Yellow Sky (1948).
Peck received an Academy Award for his role as Atticus Finch in To Kill a Mockingbird (1962). This performance is an enduring part of cinema history, with his character being voted the top film hero in an American Film Institute poll. He was also praised for his roles in Twelve O’Clock High (1949), The Gunfighter (1950), David and Bathsheba (1951), and The Snows of Kilimanjaro (1952).
3 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
What awards or honors did Gregory Peck receive during his career?
Gregory Peck, known for portraying characters of honesty and integrity, received several awards and honors throughout his career.
Among Peck's awards:
* Academy Award for Best Actor in a Leading Role (1963) for To Kill a Mockingbird
* Cecil B. DeMille Award (1969)
* Four Golden Globe Awards: Best Actor in a Leading Role (1947 and 1963), World Film Favorites (1951 and 1955), and Best Supporting Actor in a Series, Limited Series, or Motion Picture Made for Television (1999)
* Jean Hersholt Humanitarian Award (1968)
* AFI Life Achievement Award (1989)3 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
How did Gregory Peck's acting influence American movies?
Gregory Peck, a prominent American actor, was known for his characters of honesty and integrity. Throughout his career, he received praise for portraying stoical men motivated by decency and justice, becoming the moral center of many films.
Peck's ability to embody ethical characters, such as Atticus Finch in To Kill a Mockingbird, had a significant influence on American cinema, earning him an Academy Award. He was widely admired and respected as one of the motion picture industry’s most cooperative and least egotistical stars.
2 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
What is Gregory Peck's lasting legacy in film and culture?
Gregory Peck, known for his tall stature and resonant voice, left a lasting legacy portraying characters of honesty and integrity.
Throughout his career, Peck was lauded for his roles as stoic men driven by decency and justice. He won an Academy Award for his role as Atticus Finch in To Kill a Mockingbird (1962), a character that epitomized his ability to be the moral center of a film. Beyond acting, Peck was actively involved in civic, charitable, and political causes, including serving as chairman of the American Cancer Society and the American Film Institute.
2 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles.
Gregory Peck (born April 5, 1916, La Jolla, California, U.S.—died June 12, 2003, Los Angeles, California) was a tall, imposing American actor with a deep, mellow voice, best known for conveying characters of honesty and integrity.
A pharmacist’s son, Peck attended military school and San Diego State College before enrolling as a premed student at the University of California at Berkeley. There he developed a taste for acting, and upon graduation he headed to New York, where he studied at the Neighborhood Playhouse and supported himself as an usher at Radio City Music Hall and as a concession barker at the 1939 World’s Fair. He made his Broadway debut in The Morning Star (1942), the first of three consecutive flops in which he appeared, although critics liked Peck’s performances.
Invited to Hollywood, Peck made his first film appearance as a Russian guerrilla fighter in Days of Glory (1944). Because of an earlier spinal injury, he was unable to serve in World War II. This circumstance enabled him to emerge as one of the most popular leading men of the 1940s. He earned his first Academy Award nomination for his performance as an idealistic missionary priest in The Keys of the Kingdom (1944), and three years later he received a second Oscar nomination for his interpretation of a journalist who poses as a Jew in order to expose anti-Semitism in Gentleman’s Agreement (1947). Peck’s other notable films from this decade include The Valley of Decision (1945), Alfred Hitchcock’s Spellbound (1945), Duel in the Sun (1946), The Yearling (1946), and Yellow Sky (1948).
Although Peck worked with most of the major Hollywood directors of the day, including Hitchcock, King Vidor, William Wellman, William Wyler, Vincente Minnelli, and Lewis Milestone, he did some of his finest work for Henry King. In King’s Twelve O’Clock High (1949), The Gunfighter (1950), David and Bathsheba (1951), The Snows of Kilimanjaro (1952), The Bravados (1958), and Beloved Infidel (1959), Peck portrayed outwardly strong and authoritative individuals whose inner demons and character flaws threaten to destroy them. He was finally honoured with an Academy Award for his performance as the ethical and compassionate Alabama lawyer Atticus Finch in the screen adaptation of Harper Lee’s To Kill a Mockingbird (1962). His subsequent screen roles included an anguished father in the popular horror film The Omen (1976), the titular American general in MacArthur (1977), and a rare villainous turn as Nazi doctor Josef Mengele in The Boys from Brazil (1978). Although Peck continued to work into the early 1990s (at which time he announced that he was largely retired), his final films are mostly forgettable.
Throughout his career, Peck received the most praise for his portrayals of stoical men motivated by a quest for decency and justice; he was less successful in performances demanding a broad emotional range, such as his interpretation of Captain Ahab in Moby Dick (1956), in which critics felt he failed to convey the compulsive qualities of one of American literature’s most complex characters. Nevertheless, he was an ingratiating performer, fully capable in roles that required him to be the moral centre of a film. Peck was also widely admired and respected as one of the motion picture industry’s most cooperative and least egotistical stars. Outside of his film work, he was tirelessly active in civic, charitable, and political causes. He served as chairman of the American Cancer Society and of the trustee board of the American Film Institute (which he cofounded), and for three years he was president of the Academy of Motion Picture Arts and Sciences.




