Gore Vidal

Gore Vidal (born October 3, 1925, West Point, New York, U.S.—died July 31, 2012, Los Angeles, California) was a prolific American novelist and essayist who was as well known for his outspoken political opinions and his witty and satirical observations as he was for his irreverent and intellectually adroit fiction. He was also an actor and wrote for television, film, and the stage.

Vidal graduated from Phillips Exeter Academy in New Hampshire in 1943 and served in the U.S. Army in World War II. Thereafter he resided in many parts of the world—the east and west coasts of the United States, Europe, North Africa, and Central America. His first novel, Williwaw (1946), which was based on his wartime experiences, received critical praise. His third novel, The City and the Pillar (1948), shocked the public with its direct and unadorned examination of a homosexual main character. In 1974 Vidal explained to The Paris Review why he used what he called a “flat, gray, naturalistic style” in that novel:

Tactically, if not aesthetically, this was for a good reason. Up until then homosexuality in literature was always exotic…. I wanted to deal with an absolutely ordinary, all-American, lower-middle-class young man and his world. To show the dead-on “normality” of the homosexual experience.

The novel became a sensation and received generally negative reviews. Vidal’s next five novels, including Messiah (1954), were received coolly by critics and were commercial failures.

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Abandoning novels for a time, he turned to writing plays for the stage, television, and motion pictures and was successful in all three media. His best-known dramatic works over the next decade were Visit to a Small Planet (produced for television 1955; on Broadway 1957; for film 1960) and The Best Man (play 1960; film 1964). He then returned to writing novels with Julian (1964), a sympathetic fictional portrait of Julian the Apostate, the 4th-century pagan Roman emperor who opposed Christianity. He published a revised version of The City and the Pillar in 1965. Washington, D.C. (1967), an ironic examination of political morality in the U.S. capital, was the first of a series of several popular novels known as the Narratives of Empire, which vividly re-created prominent figures and events in American history—Burr (1973), 1876 (1976), Lincoln (1984), Empire (1987), Hollywood (1990), and The Golden Age (2000). Lincoln, a compelling portrait of Pres. Abraham Lincoln’s complex personality as viewed through the eyes of some of his closest associates during the American Civil War, is particularly notable. Another success was the comedy Myra Breckinridge (1968; film 1970), in which Vidal lampooned both transsexuality and contemporary American culture.

Vidal incisively analyzed contemporary American politics and government in his essays, which were collected in Rocking the Boat (1962), Reflections upon a Sinking Ship (1969), The Second American Revolution, and Other Essays (1976–82) (1982), United States: Essays, 1952–1992 (1993; National Book Award), and Imperial America: Reflections on the United States of Amnesia (2004), among others. He also ran for Congress in 1960 and challenged Jerry Brown in a U.S. Senate primary in 1982; he lost both times. He used his appearances on television, particularly in the 1960s and ’70s, to comment on culture and politics. One of those appearances, with conservative editor and author William F. Buckley, Jr., in 1968, resulted in a caustic decades-long feud.

Vidal wrote the autobiographies Palimpsest: A Memoir (1995), Point to Point Navigation: A Memoir, 1964 to 2006 (2006), and Snapshots in History’s Glare (2009). He also occasionally worked as an actor, notably in the films Bob Roberts (1992) and Gattaca (1997). Gore Vidal: The United States of Amnesia (2013) is a documentary that surveys Vidal’s life.

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