- Original name:
- Gertrude Stanton
- Born:
- May 18, 1852, Des Moines, Iowa, U.S.
- Died:
- October 13, 1934, New York, New York (aged 82)
- Founder:
- Photo-Secession
- Movement / Style:
- Pictorialism
Gertrude Käsebier
-
Who was Gertrude Käsebier?
Gertrude Käsebier (1852–1934) was an American portrait photographer and a key figure in the Photo-Secession movement. Käsebier is known for her evocative images of women and domestic scenes. She studied art at the Pratt Institute in Brooklyn, New York, from 1889 to 1896, and opened her own studio in New York City in 1897. Her work gained recognition and was featured in the first issue of Camera Work. Käsebier, along with Alfred Stieglitz and others, formed the Photo-Secession in 1902 to promote photography as a fine art.
Käsebier is best known for her sensitive depictions of motherhood and her portraits of artists and writers, such as Auguste Rodin. She primarily used platinum prints and manipulated her photographs to align with her artistic vision. Her photograph, Blessed Art Thou Among Women (1899), was featured on a U.S. postage stamp in 2002.
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What type of photography is Gertrude Käsebier known for?
Gertrude Käsebier (1852–1934) was an American portrait photographer known for her evocative images of women and domestic scenes. Käsebier's photography promoted the medium as a fine art.
Käsebier is best known for her sensitive depictions of motherhood and portraits of famous artists and writers, and she often attempted to capture a symbolic, intimate view of her subjects.
Like other photographers of the period working in the Pictorialist style, Kasebier often manipulated her photographs to fit her artistic intentions. In 1902, she, Alfred Stieglitz, Clarence H. White, and Edward Steichen formed the Photo-Secession.
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When and where did she work as a photographer?
Gertrude Käsebier (1852–1934) was an American portrait photographer and a founder of the Photo-Secession group. Käsebier's first solo exhibition was in 1896 at the Boston Camera Club. The following year, she opened her own studio in New York City. Her photographs appeared in magazines and the first issue of Camera Work. Around 1927, she closed her portrait studio.
Käsebier is known for her motherhood depictions and portraits of artists and writers, such as Auguste Rodin. She worked with platinum prints and the gum-bichromate process, often manipulating her photographs. A retrospective exhibition of her photography took place at the Brooklyn Institute of Arts and Sciences in 1929.
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What themes or subjects did Käsebier focus on in her photographs?
Gertrude Käsebier (1852–1934) was renowned for her photography that captured intimate and symbolic views of her subjects. As a prominent member of the Photo-Secession movement, Käsebier focused on promoting photography as a fine art. She is best known for her sensitive depictions of motherhood and her portraits of famous artists and writers, including Auguste Rodin. Käsebier aimed to capture a symbolic yet intimate view of her subjects in all her work. She often manipulated her photographs to fit her artistic intentions, primarily using platinum prints and, after 1901, the gum-bichromate process.
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How did Gertrude Käsebier influence photography as an art form?
Gertrude Käsebier significantly influenced photography as an art form through her evocative images and promotion of photography as fine art. As a portrait photographer, she captured intimate, symbolic views of her subjects, especially in her sensitive depictions of women and motherhood. Käsebier's work, recognized for its artistic value, was displayed in various magazines and exhibitions, setting precedents in the photography art market.
Käsebier was one of the founders of the Photo-Secession group in 1902, alongside Alfred Stieglitz, to further promote photography as a fine art. She also cofounded the Pictorial Photographers of America in 1916. Käsebier's dedication to her artistic intentions and manipulation of photographs, combined with her symbolic and intimate style, cemented her legacy in photography.
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What are some of Gertrude Käsebier's most famous photographs or contributions to photography?
Gertrude Käsebier (1852–1934) was an American portrait photographer known for her evocative images of women and domestic scenes. Käsebier's photography promoted the medium as a fine art.
Käsebier's contributions to photography include:
* Photo-Secession Käsebier was one of the founders of the Photo-Secession group in 1902, along with Alfred Stieglitz, Clarence H. White, and Edward Steichen.
* Pictorialist Style Käsebier's photography is associated with the Pictorialist style, which emphasizes the artistic qualities of photographs.
* Camera Work Her photographs appeared in numerous magazines and were featured in the first issue of the influential Camera Work.
* Images of Women She is best known for her sensitive depictions of motherhood and her numerous portraits, often of famous artists and writers, including studies of the sculptor Auguste Rodin. Her best-known photograph, Blessed Art Thou Among Women (1899), was featured on a U.S. postage stamp in 2002.2 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles.
Gertrude Käsebier (born May 18, 1852, Des Moines, Iowa, U.S.—died October 13, 1934, New York, New York) was an American portrait photographer who was one of the founders of the influential Photo-Secession group and who is best known for her evocative images of women and domestic scenes.
In 1864 her family moved to Brooklyn, New York. Ten years later Gertrude Stanton married Eduard Käsebier, a German immigrant and businessman. After raising her family, from 1889 to 1896 she studied art at the Pratt Institute in Brooklyn and quickly gravitated toward photography. Soon her work became recognized and was often exhibited. Her first solo exhibition was held in 1896 at the Boston Camera Club, and the following year Käsebier opened her own studio in New York City. Her photographs were included in the Philadelphia Photographic salons of 1898, 1899, and 1900. She exhibited her photograph titled The Manger at the salon of 1899, and it was purchased for $100, setting a new precedent in the photography art market. Her photographs also appeared in numerous magazines and were featured in the first issue of the influential Camera Work.
Like other photographers of the period working in the Pictorialist style, Käsebier was interested in promoting the medium as a fine art. As part of this effort, in 1902 she, Alfred Stieglitz, Clarence H. White, and Edward Steichen formed the Photo-Secession. She was also a member of the Professional Photographers of New York and of the Linked Ring in London and a cofounder of the Women’s Federation of the Photographers’ Association of America (1910). In 1916 she broke openly with Stieglitz and cofounded the Pictorial Photographers of America with White. About 1927 she closed her portrait studio. A retrospective exhibition of her photography was held at the Brooklyn Institute of Arts and Sciences in 1929.
Käsebier is best known for her sensitive depictions of motherhood and for her numerous portraits, often of famous artists and writers, including studies of the sculptor Auguste Rodin. In all her work she attempted to capture a symbolic, yet intimate view of her subjects. Käsebier worked primarily with platinum prints, although she began using a gum-bichromate process in 1901. Like many fellow Pictorialists, she often manipulated her photographs to fit her artistic intentions.
In the late 20th and the 21st century Kasebier was the subject of many exhibitions, including two major retrospectives, one at the Delaware Art Museum in 1979 and the other at the Museum of Modern Art in New York City (which later traveled to the Philadelphia Museum of Art) in 1992. Her best-known photograph, Blessed Art Thou Among Women (1899), was featured on a U.S. postage stamp in 2002.