- Born:
- November 28, 1894, Waitsburg, Washington, U.S.
- Notable Works:
- “Not Mine to Finish: Poems 1928-1934”
Genevieve Taggard
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Who was Genevieve Taggard?
Genevieve Taggard (1894–1948) was an American poet and the biographer of Emily Dickinson. She was admired for lyric verse that mingled intellectual, personal, social, and aesthetic concerns.
Taggard grew up in Hawaii and, in 1914, attended the University of California, Berkeley, where she edited the literary magazine, Occident. In 1921, she helped found The Measure: A Journal of Poetry. Taggard, a self-described socialist affiliated with the Communist Party, was involved in New York City’s Greenwich Village bohemian scene and radical literary circles.
Her volumes of verse include For Eager Lovers (1922), Hawaiian Hilltop (1923), and Words for the Chisel (1926).
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What type of writing is Genevieve Taggard known for?
Genevieve Taggard was an American poet and biographer, noted for lyric verse that skillfully combines intellectual, personal, social, and aesthetic concerns.
Taggard was involved with the bohemian scene of New York City’s Greenwich Village and radical literary circles. She described herself as a socialist and was affiliated with the Communist Party. Taggard was a contributor to Freeman, The Masses, and The Liberator, among other magazines.
Her first volume of verse, For Eager Lovers (1922), mainly contained personal poems about marriage and nature. Her subsequent volumes included poems about her childhood, social injustice, love, and poetry itself.
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When and where was Genevieve Taggard born?
Genevieve Taggard, an American poet and biographer of Emily Dickinson, was born in Waitsburg, Washington, on November 28, 1894. From 1896 onward, she spent her childhood in Hawaii, where her parents worked as missionaries. Taggard's work often combined intellectual, personal, social, and aesthetic concerns, earning her admiration. She was also known for her involvement in the bohemian scene of Greenwich Village and radical literary circles in New York City.
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What were some main themes in Taggard's poetry?
Genevieve Taggard's poetry intricately combines intellectual, personal, social, and aesthetic concerns. Her work often touched on themes of social injustice, love, and the nature of poetry itself.
Taggard, a self-described socialist affiliated with the Communist Party, integrated her fiercely liberal politics into her bohemian Greenwich Village life and radical literary circles. After her first volume of verse, For Eager Lovers, Taggard released Travelling Standing Still, a collection of poems that received widespread critical acclaim. Later collections included social protest poems, but she also returned to lyrical investigations of nature and art.
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How did Genevieve Taggard's life and times influence her work?
Genevieve Taggard's life experiences significantly shaped her poetry. Growing up in Hawaii as the child of missionaries and her involvement in New York City's Greenwich Village bohemian scene, as well as radical literary circles, exposed her to diverse cultural and political perspectives.
Taggard's staunchly liberal politics and socialist views, led her to contribute to magazines such as The Masses and The Liberator. Balancing her roles as a wife, mother, and writer, she rejected limiting her literary aspirations to what she called mere "literary needlework," and instead created work that "relates to general experience and the realities of the time". Her work often touched on themes of social injustice, love, and the essence of poetry itself.
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Why is Genevieve Taggard considered an important figure in American poetry?
Genevieve Taggard is considered an important figure in American poetry because her lyric verse skillfully and passionately combines intellectual, personal, social, and aesthetic concerns.
Taggard was integrally involved in the bohemian scene of New York City’s Greenwich Village as well as radical literary circles. Fiercely liberal in her politics, she described herself as a socialist and was affiliated with the Communist Party.
She thought of herself not as “a poetess, but…a poet,” whose work “relates to general experience and the realities of the time”.
Beginning in the 1980s, Taggard gained further recognition as an important early feminist and radical poet.
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Genevieve Taggard (born November 28, 1894, Waitsburg, Washington, U.S.—died November 8, 1948, New York, New York) was an American poet and biographer of Emily Dickinson who was much admired for her lyric verse that deftly and passionately mingles intellectual, personal, social, and aesthetic concerns.
From 1896 Taggard grew up in Hawaii, where her parents were missionaries. In the fall of 1914 she entered the University of California, Berkeley. She worked her way through college, edited the literary magazine, the Occident, and graduated in 1919. Later that year, in December, Harper’s published the first of her poems to reach a national audience. She moved to New York City in 1920.
In 1921 she joined Maxwell Anderson, Padraic Colum, and others in founding The Measure: A Journal of Poetry, a monthly magazine on whose editorial board she served until its demise in 1926. Fiercely liberal in her politics—she described herself as a socialist and was affiliated with the Communist Party—Taggard was integrally involved in the bohemian scene of New York City’s Greenwich Village as well as radical literary circles. She was a frequent contributor to Freeman, The Masses, The Liberator, and similar magazines.
In 1921 Taggard married poet and novelist Robert L. Wolf. After the birth of their daughter, Marcia, Taggard struggled to balance her roles as wife, mother, and writer. She embraced her domestic responsibilities but rejected the notion that they defined her or should limit her literary aspirations. She thought it unfortunate that so many women wrote “out of a decorative impulse” and sought to avoid wasting her own talents on mere “literary needlework.” She thought of herself not as “a poetess, but…a poet,” whose work “relates to general experience and the realities of the time.”
After a year in California in 1922–23, Taggard and her family settled in New England. Her first volume of verse, For Eager Lovers (1922), contained mostly personal poems on marriage and nature. It was followed by Hawaiian Hilltop (1923), Words for the Chisel (1926), and Travelling Standing Still (1928). The latter two volumes collected poems on her childhood, social injustice, love, and poetry itself and received widespread critical acclaim.
From 1929 to 1931 Taggard taught at Mount Holyoke College in Massachusetts. In 1930 she published the acclaimed biography The Life and Mind of Emily Dickinson.
With funding provided by a Guggenheim fellowship, she spent 1931–32 writing on the islands of Majorca (Spain) and Capri (Italy). She taught at Bennington College in Vermont in 1932–35. Taggard and Wolf divorced in 1934. The following year she married Kenneth Durant, a representative of the Soviet news agency TASS. From 1935 to 1946 she taught at Sarah Lawrence College in Bronxville, New York, and spent her free time at Gilfeather, her farm near East Jamaica, Vermont.
In 1934 Taggard published Not Mine to Finish: Poems 1928–1934. Those poems on art, nature, and identity showed off Taggard’s intellectual and lyrical talents. Her next book, Calling Western Union (1936), was a collection of social protest poems. Her subsequent poetry collections, most notably Slow Music (1946), returned to lyrical investigations of nature and art.
For many years after her death, Taggard was best known for her biography of Dickinson. Beginning in the 1980s, she gained further recognition as an important early feminist and radical poet.
Several of Taggard’s lyrics were set to music by Aaron Copland, Roy Harris, William Schuman, and other composers.