- Original name:
- Theodor Friedrich Emil Janenz
- Born:
- July 23, 1884, Rorschach, Switzerland
- Died:
- January 2, 1950, Strobl, near Salzburg, Austria (aged 65)
- Awards And Honors:
- Academy Award (1929)
- Academy Award (1929): Actor in a Leading Role
- Married To:
- Hanna Ralph (1919–1921)
- Gussy Holl (married 1923)
- Lucie Höflich [dates unknown]
- Movies/Tv Shows (Acted In):
- "Die Ratten" (1921)
- "Du sollst nicht töten" (1923)
- "Stürme der Leidenschaft" (1932)
- "Kohlhiesels Töchter" (1920)
- "Unheilbar" (1917)
- "The Merry Monarch" (1933)
- "Das Geschäft" (1917)
- "Stein unter Steinen" (1917)
- "Im Angesicht des Toten" (1916)
- "Othello" (1922)
- "Das Wachsfigurenkabinett" (1924)
- "Rose Bernd" (1919)
- "Lulu" (1917)
- "Die Gräfin von Paris" (1923)
- "Altes Herz wird wieder jung" (1943)
- "The Patriot" (1928)
- "Der schwarze Walfisch" (1934)
- "Der Mann der Tat" (1919)
- "Der Ring der Giuditta Foscari" (1917)
- "Der Stier von Olivera" (1921)
- "Der blaue Engel" (1930)
- "Im Schützengraben" (1914)
- "Vendetta" (1919)
- "Der Schädel der Pharaonentochter" (1920)
- "Madame DuBarry" (1919)
- "Herr Tartüff" (1925)
- "Nächte des Grauens" (1917)
- "Das große Licht" (1920)
- "Der letzte Mann" (1924)
- "Peter der Große" (1922)
- "Nju - Eine unverstandene Frau" (1924)
- "Robert Koch, der Bekämpfer des Todes" (1939)
- "Der zerbrochene Krug" (1937)
- "Frau Eva" (1917)
- "Alles für Geld" (1923)
- "Gesühnte Schuld" (1917)
- "Ohm Krüger" (1941)
- "Die Seeschlacht" (1917)
- "Wo ist Herr Belling?" (1945)
- "Arme Eva" (1916)
- "Street of Sin" (1928)
- "Der Morphinist" (1916)
- "Der zehnte Pavillon der Zitadelle" (1917)
- "Der alte und der junge König - Friedrichs des Grossen Jugend" (1935)
- "Der Schwur des Peter Hergatz" (1921)
- "Das Weib des Pharao" (1922)
- "Die Bettlerin von St. Marien" (1916)
- "Die Ehe der Luise Rohrbach" (1917)
- "Algol - Tragödie der Macht" (1920)
- "Das fidele Gefängnis" (1917)
- "Danton" (1921)
- "Liebe macht blind" (1926)
- "Keimendes Leben, Teil 1" (1918)
- "Das Leben ein Traum" (1916)
- "Passionels Tagebuch" (1916)
- "Aus Mangel an Beweisen" (1916)
- "Keimendes Leben, Teil 2" (1919)
- "Faust: Eine deutsche Volkssage" (1926)
- "Quo Vadis?" (1924)
- "Der Herrscher" (1937)
- "Fuhrmann Henschel" (1918)
- "The Way of All Flesh" (1927)
- "Der letzte Appell" (1939)
- "Sins of the Fathers" (1928)
- "Colombine" (1920)
- "Varieté" (1925)
- "The Last Command" (1928)
- "Die Entlassung" (1942)
- "Traumulus" (1936)
- "Tragödie der Liebe" (1923)
- "Die Augen der Mumie Ma" (1918)
- "Die Brüder Karamasoff" (1920)
- "Die Tochter des Mehemed" (1919)
- "Liebling der Götter" (1930)
- "Die Abenteuer des Königs Pausole" (1933)
- "Anna Boleyn" (1920)
- "Betrayal" (1929)
- Movies/Tv Shows (Directed):
- "Der zerbrochene Krug" (1937)
Emil Jannings
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Who was Emil Jannings?
Emil Jannings (1884–1950) was aclamied as one of the world's finest actors, known for his emotionally powerful performances in tragic movie roles.
He began his acting career on stage and joined Max Reinhardt's theater company in 1906. Jannings made his film debut in 1914 and gained prominence for his role as Louis XV in Madame Dubarry (1919). His best-remembered role was in Der letzte Mann (1924). In 1929, he received the first Academy Award for best actor for his roles in The Way of All Flesh and The Last Command. Due to his accent, he returned to German films after the introduction of sound in American cinema.
2 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
Where was Emil Jannings from and when did he live?
Emil Jannings, born Theodor Friedrich Emil Janenz, was a German actor known for his work in tragic motion pictures. He was born in Rorschach, Switzerland, on July 23, 1884, and he died near Salzburg, Austria, on January 2, 1950.
Jannings began his stage career in Görlitz, Germany, and later joined Max Reinhardt's theater company in Berlin in 1906. His film debut was in 1914, and he achieved significant recognition for his role as Louis XV in Madame Dubarry (1919). Jannings received the first Academy Award for best actor in 1929.
2 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
What type of roles or movies was Emil Jannings known for?
Emil Jannings, a German actor, gained international recognition for his tragic roles in motion pictures. His career began on stage, and he later joined Max Reinhardt's company in Berlin. Jannings's early success came with his role as Louis XV in Madame Dubarry (1919).
Jannings is best known for his roles in The Last Laugh (1924), where he played a hotel doorman demoted to a washroom attendant; in Variety (1925), he portrayed a sideshow operator; and in The Blue Angel (1930), he played a professor in love with a nightclub singer. He was known for portraying proud men enduring suffering or humiliation. In 1929, he received the first Academy Award for best actor for his roles in The Way of All Flesh (1927) and The Last Command (1928).
1 Britannica SourceCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
Why is Emil Jannings significant in film history?
Emil Jannings, a Swiss-born German actor, gained international recognition for his tragic roles in motion pictures. His early career included work with Max Reinhardt and a major role in Madame Dubarry (1919). Jannings received the first Academy Award for best actor in 1929 for his performances in The Way of All Flesh and The Last Command.
Jannings starred in Der letzte Mann (1924), Varieté (1925), and Der blaue Engel (1930), the latter introducing Marlene Dietrich. His emotional range allowed him to portray characters with great subtlety, even in grandiose roles such as Mephistopheles in Faust (1926).
With the advent of sound in American cinema, Jannings returned to Germany due to his accent. Although his support of the Nazi regime made him a controversial figure, he remains recognized as one of the finest actors of his generation.
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What major awards or recognitions did Emil Jannings receive?
Emil Jannings, a German actor celebrated for his tragic roles, garnered international recognition throughout his career. In 1929, he received the first Academy Award for best actor for his performances in two American films: The Way of All Flesh (1927) and The Last Command (1928). During the early years of the Academy Awards, actors could be nominated for multiple performances.
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How did historical events, like World War II, affect Emil Jannings' career?
Emil Jannings's support of the Nazi regime during World War II significantly impacted his career. While he continued to work in German films, his political affiliations made him a pariah in other parts of the world. Despite the controversy, some critics acknowledge him as one of the finest actors of his generation.
2 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles.
Emil Jannings (born July 23, 1884, Rorschach, Switzerland—died January 2, 1950, Strobl, near Salzburg, Austria) was a German actor who was internationally known for his tragic roles in motion pictures. He was the recipient of the first Academy Award for best actor.
Jannings was reared in Görlitz, Germany, where he began his stage career. He joined a traveling stock company and in 1906 began acting for Max Reinhardt, the leading German theatrical director, in Berlin. He made his film debut in 1914 and had his first major success in the role of Louis XV in Madame Dubarry (1919; also released as Passion), directed by Ernst Lubitsch.
The 1924 film Der letzte Mann (The Last Laugh), directed by F.W. Murnau, featured Jannings’s best-remembered role—an aging hotel doorman demoted to the position of washroom attendant. In Varieté (1925; Variety) he was a married sideshow operator deceived by a female trapeze artist. And in Der blaue Engel (1930; The Blue Angel), which introduced the sultry leading lady Marlene Dietrich, he was an aging professor hopelessly in love with a young but worldly-wise nightclub singer. Critics acclaimed Jannings as one of the finest actors in the world on the basis of these three motion pictures.
Jannings was a versatile actor whose enormous emotional range was well suited to an array of character roles. Although he occasionally lapsed into the unbridled hamminess that was characteristic of acting styles of the era, he was also capable of great subtlety and nuance, even in such grandiose roles as Mephistopheles in Faust (1926), wherein he projected inner rage and turmoil beneath a cool cynical exterior. He excelled at portraying once-proud men forced to endure suffering or humiliation, and such roles (The Last Laugh, Variety, The Blue Angel, The Last Command) are the ones for which he is best remembered.
In 1929, the first year of the Academy Awards, Jannings won a best actor award for his performances in the American-made films The Way of All Flesh (1927, now lost), in which he played an embittered family man, and The Last Command (1928), in which he was an exiled Russian general reduced to playing bit parts in war films. (During the early years of the awards, actors could be nominated for multiple performances.) With the advent of sound in American cinema, Jannings was forced because of his thick accent to abandon his career in the United States. He continued to work in German films, but his support of the Nazi regime made him a pariah elsewhere in the world. He remains a subject of great controversy, though many of his detractors begrudgingly admit that he was one of the finest actors of his generation.
