Who was Edward Gibbon?

Edward Gibbon was an English historian and scholar, born in 1737, best known for his monumental work, " The History of the Decline and Fall of the Roman Empire ". Published in six volumes between 1776 and 1788, this work provides a comprehensive narrative from the 2nd century CE to the fall of Constantinople in 1453. Gibbon viewed the Roman Empire as a single entity in continuous decline, attributing its material decay to moral decadence. His rigorous scholarship, historical perspective, and distinctive literary style have made his work a cornerstone of historical literature. He died in London in 1794.

What is Edward Gibbon famous for writing?

Edward Gibbon is most famous for writing " The History of the Decline and Fall of the Roman Empire ". This monumental work, published in six volumes between 1776 and 1788, provides a comprehensive narrative from the 2nd century CE to the fall of Constantinople in 1453. Gibbon's work is renowned for its rigorous scholarship, historical perspective, and exceptional literary style. He viewed the Roman Empire as a single entity in a continuous decline, marked by moral decadence. His assessment of the period of the "Five Good Emperors" as a time of great prosperity is famously quoted in historical discussions.

Why was Gibbon's work considered important in history?

Edward Gibbon's The Decline and Fall of the Roman Empire is considered important for its rigorous scholarship, historical perspective, and literary style. Published in volumes between 1776 and 1788, it offers a continuous narrative from the 2nd century CE to the fall of Constantinople in 1453. Gibbon viewed the Roman Empire as a single entity in steady decline, attributing its material decay to moral decadence and the triumph of "barbarism and religion". His work, though criticized for its treatment of Christianity and its focus on the East, remains a foundational text in historical scholarship.

How did Edward Gibbon research and write his historical books?

Edward Gibbon's research for The History of the Decline and Fall of the Roman Empire was characterized by self-sufficiency and solitary independence. He was an omnivorous reader from a young age, indulging his tastes with irregular schooling and access to libraries. His historical perspective was shaped by his reading of classical literature, which he viewed as representing ideals of freedom that contrasted with the perceived moral decadence of the Roman Empire. Gibbon's work was composed without consulting other scholars, reflecting his unique personality and approach to history. He meticulously studied Roman antiquities, and his inspiration for the work struck him while musing among the ruins of the Capitol in Rome.

How has Edward Gibbon influenced later historians and the study of history?

Edward Gibbon's monumental work, The Decline and Fall of the Roman Empire , profoundly influenced later historians by its rigorous scholarship, literary style, and unique perspective. Gibbon viewed the Roman Empire as a continuous decline, attributing its fall to moral decadence and the triumph of "barbarism and religion". While modern scholarship has expanded historical evidence and methodologies, Gibbon's work remains a cornerstone of historical study. His writing, infused with Enlightenment skepticism and wit, also helped create a wider public for historical works.

Edward Gibbon

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Edward Gibbon

Q: What is 'The History of the Decline and Fall of the Roman Empire' about?

Edward Gibbon's monumental work, " The History of the Decline and Fall of the Roman Empire ", published between 1776 and 1788, chronicles the Roman Empire from the 2nd century CE to the fall of Constantinople in 1453. Gibbon viewed the empire as a continuous decline, linking its material decay to moral decadence and a loss of intellectual freedom. The work is divided into two parts: the first half covers the Western Roman Empire's fall around 480 CE, while the second half spans nearly a thousand years of the Eastern Roman Empire (Byzantine Empire). Gibbon's scholarship, historical perspective, and literary style are highly regarded, though his interpretation of the Eastern Empire's history has been noted for its limitations due to his unsympathetic view of Byzantine civilization.

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Gibbon’s grandfather, Edward, had made a considerable fortune and his father, also Edward, was able to live an easygoing life in society and Parliament. He married Judith, a daughter of James Porten, whose family had originated in Germany. Edward, too, had independent means throughout his life. He was the eldest and the only survivor of seven children, the rest dying in infancy.

Gibbon’s own childhood was a series of illnesses and more than once he nearly died. Neglected by his mother, he owed his life to her sister, Catherine Porten, whom he also called “the mother of his mind,” and after his mother’s death in 1747 he was almost entirely in his aunt’s care. He early became an omnivorous reader and could indulge his tastes the more fully since his schooling was most irregular. He attended a day school in Putney and, in 1746, Kingston grammar school, where he was to note in his Memoirs “at the expense of many tears and some blood, [he] purchased a knowledge of Latin syntax.” In 1749 he was admitted to Westminster School. He was taken in 1750 to Bath and Winchester in search of health and after an unsuccessful attempt to return to Westminster was placed for the next two years with tutors from whom he learned little. His father took him on visits to country houses where he had the run of libraries filled with old folios.

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He noted his 12th year as one of great intellectual development and says in his Memoirs that he had early discovered his “proper food,” history. By his 14th year he had already covered the main fields of his subsequent masterpiece, applying his mind as well to difficult problems of chronology. The keynote of these early years of study was self-sufficiency. Apart from his aunt’s initial guidance, Gibbon followed his intellectual bent in solitary independence. This characteristic remained with him throughout his life. His great work was composed without consulting other scholars and is impressed with the seal of his unique personality.

In his Memoirs Gibbon remarked that with the onset of puberty his health suddenly improved and remained excellent throughout his life. Never a strong or active man, he was of diminutive stature and very slightly built and he became corpulent in later years. The improvement in his health apparently accounts for his father’s sudden decision to enter him at Magdalen College, Oxford, on April 3, 1752, about three weeks before his 15th birthday. He was now privileged and independent. Any expectations of study at Oxford were soon disappointed. The authorities failed to look after him intellectually or spiritually or even to note his absences from the college. Left to himself, Gibbon turned to theology and read himself into the Roman Catholic faith. It was a purely intellectual conversion. Yet he acted on it and was received into the Roman Catholic Church by a priest in London on June 8, 1753.

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His father, outraged because under the existing laws his son had disqualified himself for all public service and office, acted swiftly, and Edward was dispatched to Lausanne and lodged with a Calvinist minister, the Rev. Daniel Pavillard. Though the change was complete, and Gibbon was under strict surveillance, in great discomfort, and with the scantiest allowance, he later spoke of this period with gratitude. To Pavillard he owed kindly and competent instruction and the formation of regular habits of study. He mastered the bulk of classical Latin literature and studied mathematics and logic. He also became perfectly conversant with the language and literature of France, which exercised a permanent influence on him. These studies made him not only a man of considerable learning but a stylist for life. He began his first work, written in French, Essai sur l’étude de la littérature (1761; An Essay on the Study of Literature, 1764). Meanwhile, the main purpose of his exile had not been neglected. Not without weighty thought, Gibbon at last abjured his new faith and was publicly readmitted to the Protestant communion at Christmas 1754. “It was here,” Gibbon says somewhat ambiguously, “that I suspended my religious enquiries, acquiescing with implicit belief in the tenets and mysteries which are adopted by the general consent of Catholics and Protestants.”

In the latter part of his exile Gibbon entered more freely into Lausanne society. He attended Voltaire’s parties. He formed an enduring friendship with a young Swiss, Georges Deyverdun, and also fell in love with and rashly plighted himself to Suzanne Curchod, a pastor’s daughter of great charm and intelligence. In 1758 his father called Gibbon home shortly before his 21st birthday and settled an annuity of £300 on him. On the other hand, he found that his father and his stepmother were implacably opposed to his engagement, and he was compelled to break it off. (“I sighed as a lover, I obeyed as a son.”) He never again thought seriously of marriage. After a natural estrangement he and Curchod became lifelong friends. She was well known as the wife of Jacques Necker, the French finance minister under Louis XVI. During the next five years Gibbon read widely and considered many possible subjects for a historical composition. From 1760 until the end of 1762, his studies were seriously interrupted by his service on home defense duties with the Hampshire militia. With the rank of captain he did his duty conscientiously and later claimed that his experience of men and camps had been useful to him as a historian.

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Gibbon left England on January 25, 1763, and spent some time in Paris, making the acquaintance of several Philosophes, Denis Diderot and Jean Le Rond d’Alembert among others. During the autumn and winter spent in study and gaiety at Lausanne, he gained a valuable friend in John Baker Holroyd (later Lord Sheffield), who was to become his literary executor. In 1764 Gibbon went to Rome, where he made an exhaustive study of the antiquities and, on October 15, 1764, while musing amid the ruins of the Capitol, was inspired to write of the decline and fall of the city. Some time was yet to pass before he decided on the history of the empire.

At home, the next five years were the least satisfactory in Gibbon’s life. He was dependent on his father and although nearly 30 had achieved little in life. Although bent on writing a history, he had not settled on a definite subject. Impressed by the supremacy of French culture in Europe, he began in that language a history of the liberty of the Swiss, but was dissuaded from continuing it. He and Deyverdun published two volumes of Mémoires littéraires de la Grande Bretagne (1768–69). In 1770 he sought to attract some attention by publishing Critical Observations on the Sixth Book of the Aeneid.

His father died intestate in 1770. After two years of tiresome business, Gibbon was established in Bentinck Street, London, and concentrated on his Roman history. At the same time he entered fully into social life. He joined the fashionable clubs and was also becoming known among men of letters. In 1775 he was elected to the Club, the brilliant circle that the painter Sir Joshua Reynolds had formed round the writer and lexicographer Dr. Samuel Johnson. Although Johnson’s biographer, James Boswell, openly detested Gibbon, and it may be inferred that Johnson disliked him, Gibbon took an active part in the Club and became intimate with Reynolds and the actor David Garrick. In the previous year he had entered Parliament and was an assiduous, though silent, supporter of Lord North.

Edward Gibbon

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