Eddie Condon

…the company of ex-Chicagoans, especially Eddie Condon, in whose band Freeman recorded a noted solo, “The Eel” (1933). By then he had developed a fluent, romantic style featuring sinuous legato melodies. His tenor saxophone sound was especially distinctive—full and smooth, with a rough edge and a large vibrato—and he played…

…alive through the work of Eddie Condon.