• aria
• François-Joseph Gossec
• Niccolò Piccinni
• glass harmonica
• Niccolò Jommelli

• Gasparo Angiolini
• Ranieri Calzabigi

• Western music

  / Opera
• overture
• theatre music

  / Classical developments

• Hector Berlioz

  / Early career
• Luigi Cherubini

Catalog and bibliography

Alfred Wotquenne, Thematisches Verzeichnis der Werke von Chr. W.v. Gluck, 1714–1787 (1904); and Ergänzungen und Nachträge, ed. by Josef Liebeskind (1911); C.W. Hopkinson, A Bibliography of the Printed Works of C.W. von Gluck, 1714–1787, 2nd rev. ed. (1967); Stephan Wortsmann, Die deutsche Gluck-Literatur (1914); A.A. Abert, “Gluck, Christoph Willibald,” in Die Musik in Geschichte und Gegenwart, vol. 5, col. 376–380 (1956; Collected Correspondence and Papers, 1962–63).

Editions

Sämtliche Werke (1951–); Denkmäler der Tonkunst in Bayern, vol. 14/2, Le nozze d’Ercole e d’Ebe, ed. by Hermann Abert (1914); Denkmäler der Tonkunst in Österreich: vol. 21/44a, Orfeo ed Euridice, ed. by Hermann Abert (1914); vol. 30/60, Le festin de pierre (Don Juan), ed. by Robert Haas (1923); and vol. 44/82, L’innocenza giustificata, ed. by Alfred Einstein (1937); Iphigénie en Aulide, Orphée et Euridice, Alceste, Armide, Iphigénie en Tauride, Echo et Narcisse, ed. by F. Pelletan et al. (since 1873); The Collected Correspondence and Papers of Christoph W. Gluck, ed. by Hedwig and E.H. Mueller von Asow (1962), review with corrections and additions by Klaus Hortschansky in Die Musikforschung, 17:469–471 (1965).

Biographies and studies

Anton Schmid, Christoph Willibald Ritter von Gluck (1854), the first comprehensive biography (in German); Martin Cooper, Gluck (1935), a biographical study based on modern research; Alfred Einstein, Gluck: Sein Leben, seine Werke (1936), Gluck seen as the reformer of Italian opera and French opera in Paris; Rudolf Gerber, Christoph Willibald Gluck, 2nd ed. (1950), an authentic and comprehensive work (in German); Anna A. Abert, Christoph Willibald Gluck (1959), a popular, reliable account (in German); Patricia Howard, Gluck and the Birth of Modern Opera (1963), and Gluck: An Eighteenth-Century Portrait in Letters and Documents (1995); Daniel Heartz, “From Garrick to Gluck: The Reform of Theatre and Opera in the Mid-Eighteenth Century,” Proceedings of the Royal Musical Association, pp. 111–127 (1968); Gerhard Croll, “Gluckforschung und Gluck-Gesamtausgabe,” in Musik und Verlag: Karl Vötterle zum 65. Geburtstag am 12 April 1968, pp. 192–196 (1968).